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THE STATES

An inventive novel about wishes and regret.

A woman turns to dreams to relive her life differently in Woodsey’s speculative novel.

Tildy Sullivan is the middle daughter of a wealthy New York family in decline. Her father, the third-generation scion of a cosmetics empire, is on the verge of bankruptcy. Her two sisters are shallow and oblivious sponges. Her data scientist mother is dead, having left Tildy an AI assistant named Russell and her stock in the family company. Tildy has followed in her mother’s footsteps—she, too, works in data science, and she lives in the dead woman’s apartment. Tildy is single and still pining over Aidan, the man she loved and lost eight years prior during a sojourn in the family’s ancestral home of Ireland. One day, Tildy notices an online ad requesting participants for a lucid-dreaming study. She leaps at the opportunity, seeing it as a chance to reunite with Aidan in her dreamworld: “It could be like time travel,” she thinks, “only better—there [are] no consequences, no social cost. What if her days of failure with her family, the monotony at work, and the regret in her peaceful moments [are] only half her life? What if, at night, she could go to Ireland and do all that she wished, without having to face who she had been, or who she had become?” She soon finds herself in Dream Galway, working as an instructor at the local university, spending time with her Nana at the family cottage, and rekindling her love for Aidan. As Tildy tries to relive happier times in the dream world, her father pursues his interest in selling the family’s land in Galway to make some cash, and Aidan is now a chef with his own famous restaurant. Can Tildy find the satisfaction she desires in her lucid dreams? More importantly, can she translate it to waking life?

Woodsey’s prose is oneiric even in the novel’s waking portions. The lucid dreams are elegantly rendered, as here, when Tildy returns to Galway in her sleep: “The cool air tumbled to her, ripe with the familiar tang of coastal plants and the open sea. She looked around, her eyes watering. It felt like more than a dream here, more even than reality. Like she had voyaged into the heart of the ache she carried within her.” The premise is an intriguing one, and the hard-edged satire with which Woodsey handles Tildy’s family and life in New York is a treat. The scenes (both dreamed and real) set in the Emerald Isle are portrayed with the gauzy sentimentality Irish Americans often adopt with regard to the west of Ireland; Woodsey seems to be commenting on this sort of escapist fetishization, but the satire here is subtler. The supporting characters are sometimes thinly drawn, and the book has occasional pacing issues. Despite these minor flaws, however, the novel casts a definite spell over the reader, who can’t help but be drawn into Tildy’s fantasies. It’s a triple escape, after all: into a dream, over the sea, to the arms of a lost love.

An inventive novel about wishes and regret.

Pub Date: April 30, 2024

ISBN: N/A

Page Count: -

Publisher: Self

Review Posted Online: Jan. 17, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LONG ISLAND

A moving portrait of rueful middle age and the failure to connect.

An acclaimed novelist revisits the central characters of his best-known work.

At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.

A moving portrait of rueful middle age and the failure to connect.

Pub Date: May 7, 2024

ISBN: 9781476785110

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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