by Norman Davies ‧ RELEASE DATE: Sept. 10, 2007
Emphasizes why it is necessary to continue to examine and amend a complex story whose many facets will take much more...
World War II study that seeks to challenge traditional and, Davies (Rising ’44: The Battle of Warsaw, 2004, etc.) argues, glaringly inaccurate narratives of the event.
This alternative history not only focuses on what has been wrongly said about the war, but also on what has not been said and why. Common myths about the war that have heretofore been regarded as fact—such as what the largest concentration camp in Europe was—are convincingly dispelled. Davies believes it is dangerous to view the Western Powers as fair-minded and democratic, when they naively stood by while victims of Stalin's tyrannical regime could “be counted not in hundreds or thousands, or even millions, but in tens of millions.” In seeking to explain how such atrocities could be allowed to occur, Davies moves into a discussion of morality during the war and posits the answers to some uncomfortable questions. Why has the extent of the Soviet Union's devastating involvement in the conflict previously been understated or even rationalized by the West? Why was the expulsion of ethnic Germans from certain former German provinces virtually ignored after the war? In passages on warfare, politics, soldiers and civilians, Davies provides a detailed and personal history of the conflict. In discussing the fate of the soldiers, and the improvement in military psychiatry, he uses an unusual example—British army veteran and popular comic Spike Milligan—to prove his point. It is to the author’s credit that he not only deconstructs the foundations of World War II history, but also explains how these misconceptions were built in the first place, giving a detailed account of the ways in which the war has been portrayed in film, art and literature, and how this has subsequently affected public perception.
Emphasizes why it is necessary to continue to examine and amend a complex story whose many facets will take much more searching to be told.Pub Date: Sept. 10, 2007
ISBN: 978-0-670-01832-1
Page Count: 560
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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