Stagecoach robbers were common in the late 1800s, but Black Bart’s fame as a bandit derived from his gentlemanly ways.
In northern California, between 1875 and 1883, Black Bart robbed nearly 30 Wells Fargo stagecoaches without ever firing his gun. In fact, Black Bart never even loaded his gun for fear of hurting someone. He was almost unfailingly polite to those he robbed, had a sense of humor, and even left the occasional poem behind, signed “Black Bart the Po8.” Newspaper stories about the gentleman bandit’s exploits and about Jim Hume, the Wells Fargo chief detective who doggedly pursued him, made Black Bart a folk hero and provide grist for Finkelstein’s narrative. Black Bart enjoyed the chase and genially taunted his pursuer, asking one driver he robbed to give his regards to Hume. The detective used scientific methods to track down robbers, identifying patterns, using sophisticated interrogation techniques, and introducing ballistics to prove guilt, all of which is recounted in a lively narrative punctuated by archival illustrations (reinforcing the mistaken image of an all-white West) and the occasional sidebar to add further context. In addition to the colorful story of this bandit’s exploits and his pursuit, Finkelstein offers interesting insight into the importance of stagecoaches in communication and transportation and tells what it was like to be both a driver and passenger.
An engaging account of an uncommon outlaw. (source notes, bibliography) (Nonfiction. 10-14)Pub Date: Nov. 6, 2018
ISBN: 978-1-61373-995-2
Page Count: 160
Publisher: Chicago Review Press
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S HISTORY
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Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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Shannon just wants to get through eighth grade in one piece—while feeling like her own worst enemy.
In this third entry in popular author for young people Hale’s graphic memoir series, the young, sensitive overachiever is crushed by expectations: to be cool but loyal to her tightknit and dramatic friend group, a top student but not a nerd, attractive to boys but true to her ideals. As events in Shannon’s life begin to overwhelm her, she works toward finding a way to love and understand herself, follow her passions for theater and writing, and ignore her cruel inner voice. Capturing the visceral embarrassments of middle school in 1987 Salt Lake City, Shannon’s emotions are vivid and often excruciating. In particular, the social norms of a church-oriented family are clearly addressed, and religion is shown as being both a comfort and a struggle for Shannon. While the text is sometimes in danger of spelling things out a little too neatly and obviously, the emotional honesty and sincerity drawn from Hale’s own life win out. Pham’s artwork is vibrant and appealing, with stylistic changes for Shannon’s imaginings and the leeching out of color and use of creative panel structures as her anxiety and depression worsen.
A likable journey that is sensitive to the triumphs and agonies of being a 13-year-old girl. (author's note, gallery) (Graphic memoir. 10-14)Pub Date: Aug. 31, 2021
ISBN: 978-1-250-31755-1
Page Count: 320
Publisher: First Second
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
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