by Norman Lewis ‧ RELEASE DATE: March 18, 1992
An intriguing if cursory chronicle of a visit among the caste- free tribes of central India—some of whom still hunt with bows and arrows and sacrifice animals to their earth goddess—by the well- traveled British author of numerous histories (The Missionaries, 1988, etc.) and novels (Within the Labyrinth, 1986, etc.). Lewis's fascination with primitive cultures threatened by ``progress'' began while he was reporting on native civilizations in Indochina and Burma. Here, his interest leads him to India's ancient tribal colonies, whose integrity has been preserved since before the Aryan invasion and whose population now equals seven percent of the nation's total. Returning to India with a certain wariness (his first visit, in 1950, left him with highly unpleasant memories), Lewis drifts through parts of the violence-torn country that few tourists ever see—from shabby Bihar in northwestern India, where recent caste wars have dominated the news, through poverty-ridden Calcutta, to the mountains of Orissa, home of the largest tribal population in the world. Led by a young, romantic Brahmin guide, Lewis infiltrates mountain communities whose ancestry may be traceable to the Aborigines of Australia or to prehistoric Asia. Dispensing candies to polite villagers, he contrasts the preening, self-assured behavior of the tribal females, who are sold to their husbands and are therefore a valuable family asset, to the general invisibility of modern India's downtrodden Hindi women, who continue to suffer as child brides, victims of dowry murders, and, in some areas, from ritual suicide. But Lewis's eye for captivating eccentricity—Koya men's preference for older, dominant wives; Bonda women's traditional nakedness, except for elaborate jewelry, and the men's casual willingness to murder whoever crosses them; and the Kondhs' belief in encouraging promiscuity among their adolescents—makes the brevity of his observations all the more frustrating. An absorbing introduction. One wishes for more. (Illustrations—not seen.)
Pub Date: March 18, 1992
ISBN: 0-8050-1959-6
Page Count: 336
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1992
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by Norman Lewis
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by Norman Lewis
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by Norman Lewis
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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