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AN EMPIRE OF THE EAST

TRAVELS IN INDONESIA

A somewhat forced landing on the great Indonesian archipelago by British travel writer Lewis (A Goddess in the Stones, 1992, etc.). In his visit, first to the northern tip of Sumatra, then to the former Portuguese colony of East Timor, the scene of ``this century's most ferocious small war'' after it was invaded by the Indonesians, and finally to the highlands of Irian Jaya, Lewis unfortunately labors under several disadvantages: he doesn't know much about Indonesia, he doesn't speak any of its 250 languages, except for a smattering of Portuguese, he found the guides either terrified or overly tactful, the conversation bland, the food uninteresting, and the scenery, at least in Sumatra and East Timor, not all that he might have hoped. There is another problem, of which he is aware, in combining ``the pleasant commonplaces of travel'' with a description of the war in East Timor, where, according to some reports, one-third of the people have been massacred, and where Lewis' account, though a good deal of it is second-hand, is chilling. The result is an uneven one, relieved by Lewis' humor: ``...[A]t five yearly intervals the nation goes into a paroxysm of excitement over elections which infallibly return Golkar, the President's party, to power. Innovations in the electoral process have included Golkar's advance notice of the overall majority that it expects to get, which is always correct....'' Of headlines in the Indonesian press, ``[i]ncorrect reports on security in Aceh,'' which purported to repudiate foreign accounts of trouble in North Sumatra, he notes dryly, ``No more convincing evidence of trouble could have been offered.'' His account is also enlivened by a sympathetic and interesting description of the life lived by the Stone-Age Papuans, where men are naked except for curving yellow penis-guards, and where, since warfare was outlawed, they engage in elaborate and sometimes dangerous warlike rituals. Lewis writes well, and it should be entertaining, but the whole is somehow less than the sum of its parts.

Pub Date: April 1, 1994

ISBN: 0-8050-1960-X

Page Count: 304

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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