A thrilling, episodic novel of big ideas and national traumas.
A Civil War veteran makes a circuitous trip to San Francisco on the eve of a disaster in the final standalone volume in Lock’s American Novels series.
When Frederick Heigold begins his tale of an unlikely cross-country sojourn, the year is 1906 and his intended audience is Jack London, who’s sitting at the table next to his at a hotel bar. The story isn’t being spoken out loud, however; Heigold has been mute ever since he was shot in the neck at the Battle of Gettysburg. An expert in the maintenance of clocks, he’s been summoned to San Francisco to attempt to repair a tower clock; readers familiar with that city’s history will note that he’s arrived just before an earthquake is set to devastate the region. Heigold is a complex narrator, mourning his late wife, Lillian, and as prone to political musings as to lyrical passages: “Each clock and pocket watch I took apart and put together again was a triumph over time, however small.” His initial voyage west from Dobbs Ferry, New York, ends when he’s framed for being a radical and imprisoned. After his release, he meets Bonaparte, a charismatic man born into slavery with plenty of trauma in his past. When Bonaparte and Heigold part ways, it’s a bittersweet moment, and his absence is felt throughout the rest of the book. Lock is unsympathetic in his depiction of the past: Heigold witnesses plenty of racist cruelty on his journeys, and one leg of his voyage ends with a deadly shipwreck. With London an ever-present figure in the novel, Heigold is forced to reckon with the radical politics his late wife shared with the author as he confronts the injustice in the world that motivated both Lillian and London.
A thrilling, episodic novel of big ideas and national traumas.Pub Date: July 1, 2025
ISBN: 9781954276383
Page Count: 304
Publisher: Bellevue Literary Press
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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