A thrilling, episodic novel of big ideas and national traumas.
A Civil War veteran makes a circuitous trip to San Francisco on the eve of a disaster in the final standalone volume in Lock’s American Novels series.
When Frederick Heigold begins his tale of an unlikely cross-country sojourn, the year is 1906 and his intended audience is Jack London, who’s sitting at the table next to his at a hotel bar. The story isn’t being spoken out loud, however; Heigold has been mute ever since he was shot in the neck at the Battle of Gettysburg. An expert in the maintenance of clocks, he’s been summoned to San Francisco to attempt to repair a tower clock; readers familiar with that city’s history will note that he’s arrived just before an earthquake is set to devastate the region. Heigold is a complex narrator, mourning his late wife, Lillian, and as prone to political musings as to lyrical passages: “Each clock and pocket watch I took apart and put together again was a triumph over time, however small.” His initial voyage west from Dobbs Ferry, New York, ends when he’s framed for being a radical and imprisoned. After his release, he meets Bonaparte, a charismatic man born into slavery with plenty of trauma in his past. When Bonaparte and Heigold part ways, it’s a bittersweet moment, and his absence is felt throughout the rest of the book. Lock is unsympathetic in his depiction of the past: Heigold witnesses plenty of racist cruelty on his journeys, and one leg of his voyage ends with a deadly shipwreck. With London an ever-present figure in the novel, Heigold is forced to reckon with the radical politics his late wife shared with the author as he confronts the injustice in the world that motivated both Lillian and London.
A thrilling, episodic novel of big ideas and national traumas.Pub Date: July 1, 2025
ISBN: 9781954276383
Page Count: 304
Publisher: Bellevue Literary Press
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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