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EDEN’S CLOCK

A thrilling, episodic novel of big ideas and national traumas.

A Civil War veteran makes a circuitous trip to San Francisco on the eve of a disaster in the final standalone volume in Lock’s American Novels series.

When Frederick Heigold begins his tale of an unlikely cross-country sojourn, the year is 1906 and his intended audience is Jack London, who’s sitting at the table next to his at a hotel bar. The story isn’t being spoken out loud, however; Heigold has been mute ever since he was shot in the neck at the Battle of Gettysburg. An expert in the maintenance of clocks, he’s been summoned to San Francisco to attempt to repair a tower clock; readers familiar with that city’s history will note that he’s arrived just before an earthquake is set to devastate the region. Heigold is a complex narrator, mourning his late wife, Lillian, and as prone to political musings as to lyrical passages: “Each clock and pocket watch I took apart and put together again was a triumph over time, however small.” His initial voyage west from Dobbs Ferry, New York, ends when he’s framed for being a radical and imprisoned. After his release, he meets Bonaparte, a charismatic man born into slavery with plenty of trauma in his past. When Bonaparte and Heigold part ways, it’s a bittersweet moment, and his absence is felt throughout the rest of the book. Lock is unsympathetic in his depiction of the past: Heigold witnesses plenty of racist cruelty on his journeys, and one leg of his voyage ends with a deadly shipwreck. With London an ever-present figure in the novel, Heigold is forced to reckon with the radical politics his late wife shared with the author as he confronts the injustice in the world that motivated both Lillian and London.

A thrilling, episodic novel of big ideas and national traumas.

Pub Date: July 1, 2025

ISBN: 9781954276383

Page Count: 304

Publisher: Bellevue Literary Press

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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