by Norman Mailer edited by J. Michael Lennon ‧ RELEASE DATE: Dec. 2, 2014
An intriguing look at a particularly influential life of letters and a treat for Mailer fans.
The late literary lion’s archivist shares 70 years of his missives.
Before he died at age 84, Pulitzer Prize–winning author Norman Mailer (1923-2007) penned 44 books. He also spent that time adapting plays, writing poetry, producing films, and helping to launch “New Journalism” and the Village Voice. In the course of all that activity, the Brooklyn boy–turned–Harvard man also wrote complex, caustic and sometimes-moving letters to some 4,000 individuals. Lennon (Norman Mailer: A Double Life, 2013) presents 716 of those letters, decade by decade, in their naked forms and without much introduction. The recipients represent a cavalcade of contrasting personalities ranging from Martin Luther King Jr. to Monica Lewinsky. Most are directed at Mailer’s family, friends and colleagues and find the World War II veteran supremely absorbed in his own ideas. Mailer aficionados will no doubt enjoy the behind-the-scenes looks at the making of seminal works like The Naked and the Dead, as well as the writer’s ongoing sparring matches with editors and critics. Back in 1958, fellow scribe William Styron received this warning: “So I tell you this, Bill-boy. You have got to learn to keep your mouth shut about my wife, for if you do not, and I hear of it again, I will invite you to a fight in which I expect to stomp out of you a fat amount of your yellow and treacherous shit.” The legendary man of letters seems downright tame here, possessed of a certain kind of blue-collar charm that compliments his penchant for intellectualization. But one must also then consider that Mailer later stabbed the same woman he so steadfastly defended. She survived, but the author would go on to fulfill the prediction he made early on in life about becoming a serial groom. Apparently, Mailer hated writing letters and often found the exercise tortuous, but from Lennon’s collection, it appears that he loathed being disconnected even more.
An intriguing look at a particularly influential life of letters and a treat for Mailer fans.Pub Date: Dec. 2, 2014
ISBN: 978-1-4000-6623-0
Page Count: 860
Publisher: Random House
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Norman Mailer ; edited by Phillip Sipiora
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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