Captain John C. FrÇmont's 1845 topographical expedition to California and the US war with Mexico serve as the backdrops for an engaging tale of a young America's westering imperatives. Soon after joining the force gathering along the Arkansas River for FrÇmont's third trek west of the 100th meridian, Bradford Stone, a young Harvard grad with mapmaking skills and artistic gifts, is befriended by Kit Carson, his boyhood idol. Before their journey starts, the legendary trapper takes him home to Taos, where he meets and falls in love with Ana Barrag†n, the spirited daughter of a local grandee. Though promised to Luis Aragon, a new amigo of Brad's, she reciprocates his ardor, and he unwittingly leaves lovely Ana great with child. On the trail with Carson and FrÇmont, the greenhorn proves his mettle in deadly clashes with marauding Indians. After much adventure and hardship, the half-starved explorers reach California, which is awash in rumors that the US and Mexico are at war. Under the command of FrÇmont, Brad participates in the Bear Flag Rebellion and other comic-opera campaigns. Sent back east with dispatches after more than a year in the wilderness, he learns his beloved Ana (who was hastily married off to Luis) has died in mysterious circumstances along with her infant son. Although heartbroken, he accepts a post as aide to the military governor of New Mexico. Brad also renews acquaintance with Luis and, at the risk of his life, rides hell for leather out of Santa Fe to warn Taos of an upcoming revolt. He plays a role in suppressing this bloody insurrection and has a final confrontation with Don Bernardo Barrag†n, one its leaders. Zollinger (Chapultepec, 1995, etc.) brings his characters- -especially the estimable Carson and charismatic FrÇmont—to vivid life in a historical setting suffused in violence and romance. A fine tale of Americans along their way toward manifest destiny.
Pub Date: June 27, 1997
ISBN: 0-312-86131-1
Page Count: 416
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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