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THE DEPRESSO TRILOGY

An enthralling, often grim fusion of superpowers and serious real-life issues.

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A suicidal loner uses a special power—his inability to die—to fight crime in this somber take on the superhero.

Depression has long been a part of Owen Kale’s life. He’s given up and tried killing himself but hasn’t died—or rather can’t die. He tries for a death-by-robber one day when he happens to interrupt a heist. He’s shot but is uninjured and inadvertently saves the day. Dinah Borst, an ambitious police captain in an unnamed metropolis, takes notice and wants his help pushing past the red tape. Owen, who’s a civilian, can enter buildings sans a warrant to collect evidence, and his apparent immortality affords him relative safety. He aids authorities in shutting down human traffickers and drug rings. But when a homicidal stranger dead set on taking over organized crime also displays an immunity to bullets, Borst suspects Owen. To prove his innocence, Owen may have to take out this supervillain on his own. As if that weren’t enough, someone sics a hit man on him; sure, he’s unkillable, but that doesn’t mean physical assaults don’t hurt. Láav’s seamless novel-length trilogy favors introspection over action. The author treats topics like depression and suicide respectfully; Owen revels in saving lives but doesn’t instantly overcome his mental illness. Similarly, deaths seriously impact characters, and Borst battles alcoholism and possible PTSD in Part III. Throughout, the mood is bleak and suits the lead’s struggles. The striking cast, however, adds color; there’s cautious Borst (who demands the death-proof superhero wear bulletproof vests) and retired cop/personal trainer Sharon Richardson, who whips Owen into better shape. The prose keeps the story moving no matter how profound conversations become (suicidal ideation, racist police, etc.), and the finale is memorable and fitting.

An enthralling, often grim fusion of superpowers and serious real-life issues.

Pub Date: N/A

ISBN: 978-1-03-912832-3

Page Count: 311

Publisher: FriesenPress

Review Posted Online: Feb. 16, 2022

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  • New York Times Bestseller

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SHIELD OF SPARROWS

A thrilling, immersive tale that shows that some bargains demand more than just a crown.

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A reluctant princess is thrust into deadly political intrigue in Perry’s sweeping, high-stakes romantasy.

Odessa is the overlooked and underestimated princess of Quentis, whose life takes an unexpected turn when a deal is struck between her father and the formidable Turan warriors force her into an arranged marriage with their enigmatic prince, Zavier Wolfe. Intended as a mere formality to secure trade routes and military alliances, the betrothal spirals into something far more dangerous when ancient magic, a ruthless Guardian, and a looming war threaten to upend everything she knows. Finally emerging from the shadow of her seemingly perfect half sister, Mae, Odessa must navigate court politics, monstrous creatures, and her own uncertain place in a world where survival often depends on strategy rather than strength. As tensions rise, she finds herself entangled with the dangerous, enigmatic Guardian—a man whose silver eyes hold secrets of their own. Perry’s worldbuilding is lush and immersive, crafting a kingdom rife with old magic, deadly beasts, and political machinations that add depth. The pacing is relentless, carrying Odessa from one life-altering event to another as she grapples with duty, defiance, and a destiny she never chose. Her internal conflict is compelling, torn between the expectations placed upon her and the fierce independence that threatens to make her an outcast in her own kingdom. Romance simmers as Odessa struggles to reconcile her obligations with her growing attraction to the Guardian, whose past is as shadowed as his reputation. Mae is introduced as Odessa’s political foil, and although her presence drives much of Odessa’s internal drama—being constantly overshadowed or underestimated—she’s mostly seen through Odessa’s perspective. Her motivations, ambitions, and political maneuverings might have benefited from deeper exploration to give more nuance to the power dynamics. However, Perry’s evocative prose and intricate plotting make for a gripping tale. Readers looking for a slow-burn romantasy with rich political intrigue and a protagonist forced to create her own fate will find much to enjoy.

A thrilling, immersive tale that shows that some bargains demand more than just a crown.

Pub Date: May 6, 2025

ISBN: 9781649378514

Page Count: 528

Publisher: Entangled: Red Tower Books

Review Posted Online: March 26, 2025

Kirkus Reviews Issue: May 15, 2025

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THE SWALLOWED MAN

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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