A raw and incandescently written foray into fiction by one of our most gifted poets.
A young man writes a letter to his illiterate mother in an attempt to make sense of his traumatic beginnings.
When Little Dog is a child growing up in Hartford, he is asked to make a family tree. Where other children draw full green branches full of relatives, Little Dog’s branches are bare, with just five names. Born in Vietnam, Little Dog now lives with his abusive—and abused—mother and his schizophrenic grandmother. The Vietnam War casts a long shadow on his life: His mother is the child of an anonymous American soldier—his grandmother survived as a sex worker during the conflict. Without siblings, without a father, Little Dog’s loneliness is exacerbated by his otherness: He is small, poor, Asian, and queer. Much of the novel recounts his first love affair as a teen, with a “redneck” from the white part of town, as he confesses to his mother how this doomed relationship is akin to his violent childhood. In telling the stories of those who exist in the margins, Little Dog says, “I never wanted to build a ‘body of work,’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” Vuong has written one of the most lauded poetry debuts in recent memory (Night Sky with Exit Wounds, 2016), and his first foray into fiction is poetic in the deepest sense—not merely on the level of language, but in its structure and its intelligence, moving associationally from memory to memory, quoting Barthes, then rapper 50 Cent. The result is an uncategorizable hybrid of what reads like memoir, bildungsroman, and book-length poem. More important than labels, though, is the novel’s earnest and open-hearted belief in the necessity of stories and language for our survival.
A raw and incandescently written foray into fiction by one of our most gifted poets.Pub Date: June 4, 2019
ISBN: 978-0-525-56202-3
Page Count: 256
Publisher: Penguin Press
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
Intelligent, reflective, satisfying fiction from an old master.
Veteran Godwin’s latest (Grief Cottage, 2017, etc.) tracks a half-century friendship between two very different yet oddly compatible women.
The dean and dorm mistress of Lovegood College pair Feron Hood and Merry Jellicoe as roommates in 1958, hoping that sunny, outgoing Merry will be a steadying influence on Feron, who has recently lost her alcoholic mother and fled from an abusive stepfather. The girls do indeed form a lasting bond even though Merry leaves after a single semester to run the family tobacco farm when her parents are killed in a plane crash. They have both taken their first steps as writers under the guidance of Literature and Composition teacher Maud Petrie, and during their mostly long-distance relationship, Feron will be goaded to write three novels by Merry’s occasional magazine publications; she is at work on a fourth about their friendship as the book closes. The two women rarely meet in person, and Feron is bad about answering letters, but we see that they remain important in each other’s thoughts. Godwin unfolds their stories in a meditative, elliptical fashion, circling back to reveal defining moments that include tragic losses, unexpected love, and nurturing friendships. Self-contained, uncommunicative Feron seems the more withholding character, but Merry voices one of the novel’s key insights: “Everyone has secrets no one else should know” while Feron reveals essential truths about her life in her novels. Maud Petrie and Lovegood dean Susan Fox, each of whom has secrets of her own, continue as strong presences for Feron and Merry, who have been shaped by Lovegood more enduringly than they might have anticipated. Feron’s courtly Uncle Rowan and blunt Aunt Mabel, Merry’s quirky brother Ritchie, devoted manager Mr. Jack, and a suave Navy veteran with intimate links to both women are among the many nuanced characters drawn by Godwin with their human contradictions and complexities on full display. A closing letter from Dean Fox movingly reiterates the novel’s conjoined themes of continuity and change.
Intelligent, reflective, satisfying fiction from an old master.Pub Date: May 5, 2020
ISBN: 978-1-63286-822-0
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
PERSPECTIVES
A bold attempt, nevertheless, by a gifted writer whose own future looms promisingly indeed.
A compelling protagonist and a lyrical style grounded in precise observation of the physical world: these are the hallmarks of Idaho author Doerr’s complex, ambitious first novel.
As in the stories of his highly praised debut (The Shell Collector, 2002), Doerr explores the tensions between scientific objectivity and emotional vulnerability—here in the story of David Winkler, a trained hydrologist whose understanding of predictability in natural process is unsettled by mysteries that unfold from his own nature. For David experiences prophetic dreams of mischance occurring in both humdrum and catastrophic forms. We first meet him on an airplane when, at age 59, he’s returning to the US from 25 years of self-exile and servitude in the Caribbean Grenadine Islands. Working through extended flashbacks that comprise most of the text here, Doerr patiently fills in the blanks. Growing up a scholarly, solitary youth in Anchorage, Alaska, David “dreamed” his chance meeting with the woman he would wed—then, finding her unhappily married, persuaded her to accompany him to a new life in Ohio. Fathering a daughter (Grace), then dreaming the flood in which he himself accidentally drowns her, David fled his marriage and future, booked passage on a Caribbean-bound steamer, then spent an embattled quarter-century laboring to return to obligations he had shed, meanwhile acquiring a new “family” and a second chance at happiness. About Grace possesses a seductive symbolic intensity, and abounds with gorgeous descriptions and metaphors (“The sea teething” on a coral reef; “the million distant candles of the stars”). But it’s much too long, and is significantly marred by its climactic momentum toward a reconciliation that simply isn’t very credible. Its protagonist’s loneliness, regret, and guilt are painfully palpable, and go a long way toward making this risky book work—but, in the end, aren’t enough.
A bold attempt, nevertheless, by a gifted writer whose own future looms promisingly indeed.Pub Date: Oct. 12, 2004
ISBN: 0-7432-6182-8
Page Count: 416
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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