Next book

SOME GO HOME

A compassionate and complex debut, assuredly encompassing post–Iraq War fiction and old-fashioned Southern gothic.

Memories of a 1964 murder in Mississippi are forced back to the surface, reopening old wounds over race and class.

Lindsey’s ambitious debut novel—an admirable bid to compete with William Faulkner at his own game—concerns two forms of PTSD. Colleen, a white Iraq War vet, has returned home to the small town of Pitchlynn (“the poorest slice of the poorest state in the nation”) and is struggling toward normalcy. After a period of drinking and drugging laid her low, she’s started a tenuous new life with her husband, Derby, with whom she’s pregnant with twins. (Not that it keeps her from sneaking the occasional cigarette.) The other form of PTSD involves all of Pitchlynn: Derby’s father, Hare, is being retried for the murder of Gabe, a black man who stoked resentment among the white locals for owning land outright on a sharecropper farm. Derby has disowned Hare, but his half brother, Sonny, is sure Hare is innocent, though his efforts to defend dad’s honor end when his Cessna crashes, sending him to the ICU. Amid the anxiety over the retrial, another battle is brewing over the mansion once owned by the family that may have commissioned Hare to lynch Gabe; a massive magnolia tree on the property, and the abuses it receives over the course of the story, serves as a symbol for this complex interplay of blood and memory. Perhaps too complex: Some characters are underdrawn, as the ties among Hare’s family, friends, and enemies acquire ever thickening knots. (An issue in Faulkner’s fiction too, of course.) But the novel has some sturdy support beams in its central characters, especially Colleen, whose journey from soldier to almost–drug casualty to beauty queen to conflicted new mom is bracing at every turn.

A compassionate and complex debut, assuredly encompassing post–Iraq War fiction and old-fashioned Southern gothic.

Pub Date: July 21, 2020

ISBN: 978-0-393-24952-1

Page Count: 288

Publisher: Norton

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 130


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 130


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 81


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

Awards & Accolades

Likes

  • Readers Vote
  • 81


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

Close Quickview