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A LIGHT FOR LUCINDA

A STORY FROM THE CUBAN REVOLUTION

A poignant tale in which love and shared purpose become a family’s brightest light.

A young girl shelters in place with her family during the Cuban Revolution (1953-1959).

Lucinda lives in Santa Clara, where escalating military activity fills her neighborhood with fear. As tanks rumble past and gunfire echoes in the distance, her family and neighbors remain indoors with the shutters closed tight. Inside, her tía offers quiet reassurance, echoed by the steady pressure cooker shushing on the stove. Lucinda’s mamá responds to the tension by preparing a meal for family and neighbors seeking refuge. The familiar aromas gradually replace the scent of smoke drifting in from outside. When Lucinda wonders how Mamá can cook at a time like this, her mother explains that although they cannot control what is happening beyond their walls, they can each work to create safety and comfort within them. Later, when the lights go out, Abuela gently reminds the family that they can make their own light through care for one another. Soft pastel illustrations and expressive faces emphasize the tenderness shared among neighbors. The story closes with the community stepping outside to tidy their street, carrying forward a sense of hope. Lucinda’s journey affirms that fear is natural in uncertain times and that even small acts of care can steady a community.

A poignant tale in which love and shared purpose become a family’s brightest light. (author’s note, recipe) (Picture book. 4-8)

Pub Date: June 9, 2026

ISBN: 9781623547592

Page Count: 40

Publisher: Charlesbridge

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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