For those who want a sugar-coated, didactic Chinese New Year story.
“Strong and passionate…idealistic and independent…”: These are some of the characteristics of Dragon-Year people in the Chinese Zodiac.
The 12-year cycle is well-known in North America because of the ubiquitous Chinese-restaurant placemats. This series has appeared annually to provide a back story for each animal, highlighting the personality traits that are said to influence the people born in particular years. Selecting some elements of Chinese culture, such as the Dragon Boat races that still take place today, the dragon’s power over water, the dragon’s legendary features as an amalgam of elements from the other real Zodiac animals and the pearl, a symbol of prosperity awarded at the end of the race, Chin weaves an original tale. It extols the dragon Dom’s talents and initiative as he helps the boy Bo and the other Zodiac figures work together and win the boat race, demonstrating that “dragons are energetic and shoulder responsibility well.” Humorous, motion-filled color illustrations are full of large-eyed, obnoxiously cute animals and funny-looking people that appear as if they have stepped out of an animated TV cartoon (Wood’s usual gig). None of the humans look particularly Chinese, and anachronistic elements such as a Polaroid-style photo of Dom pull the tale away from its traditional roots.
For those who want a sugar-coated, didactic Chinese New Year story. (Picture book. 4-7)Pub Date: Jan. 10, 2012
ISBN: 978-1-59702-028-2
Page Count: 36
Publisher: Immedium
Review Posted Online: Nov. 19, 2011
Kirkus Reviews Issue: Dec. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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