A clever concept book from beginning to end.

READ REVIEW

WHAT'S THE OPPOSITE?

From the Hueys series

Hooray! Jeffers’ Hueys return—not in a story, but in a concept book about opposites.

It opens with two Hueys failing to determine the opposite of “the beginning” but then succeeding in naming those for other words like “up,” “high,” “cold,” and so on. Jeffers deftly exploits interdependence of art and text as illustrations present the opposing concepts with humor and panache. For example, the text reading “And the opposite of high…” is accompanied by a picture of a cat in a tree exclaiming “UH-oh!” while one Huey gazes up in concern, his coffee cup on the ground before him, and another strides toward the tree with a handsaw. The facing page resolves the opposite with the phrase “is low” and shows the felled tree and the cat sitting on a stump licking its paw. “Thanks,” it says—but that’s not all that’s happening on this page: the other Huey now stands bereft while gazing at his smashed coffee cup on the ground under the tree. Such humor punctuates many spreads, but some scenarios are a bit harder to read than others (the happy/sad juxtaposition requires a fair amount of sophistication, for instance). The conclusion, finally naming the opposite of the beginning as “the end,” is crystal clear and funny to boot.

A clever concept book from beginning to end. (Picture book. 3-6)

Pub Date: Jan. 12, 2016

ISBN: 978-0-399-25770-4

Page Count: 32

Publisher: Philomel

Review Posted Online: Sept. 21, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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