EVER AFTER

A melancholic but multicolored apocalyptic tale told with originality.

Seeking a friend and forgiveness at the end of the world.

It’s been two years since the zombielike outbreak started, but life in the walled city of Weimar, Germany, is relatively safe. The hospital warden dotes on once-blond Vivi, even obtaining pink hair dye for her, but nevertheless sends her to the barricade to help fend off the hungry hordes. After a bite puts a sudden end to a fleeting new friendship, Vivi ends up on the run with irritated (and now infected) fellow fighter Eva. Caught in the wilderness beyond the walls, auburn-haired Eva repeatedly and reluctantly saves the hapless Vivi. Opposites in lethality, both are haunted by the dead—Vivi by those she couldn’t save and Eva by those she’s killed. The palette is vivid and warm, an unusually cheerful choice for a typically bleak subject, with hints of a manga influence. Although the undead—here, blank-eyed biters, some sprouting vines and tendrils—follow the usual zombie behaviors, the tale deviates from some standard tropes, beginning in media res, with characters aware of the infection but not all-knowing, and throwing a curveball of a conclusion. Offering minimal history and concrete context, Vieweg offers an art-house take on a normally gory and typically action-packed subject and focuses on the now, rather than the how, of the apocalypse. Main human characters are white.

A melancholic but multicolored apocalyptic tale told with originality. (Graphic horror. 14-18)

Pub Date: Sept. 1, 2020

ISBN: 978-1-5415-8392-4

Page Count: 288

Publisher: Graphic Universe

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

GIRL ON FIRE

An action-packed tale for those thirsty for more superhero stories.

Grammy Award–winning artist Keys co-authors a YA superhero graphic novel bearing the title of her hit song.

Smart, quiet 14-year-old Loretta “Lolo” Wright struggles to stand up for herself until, on what should be a routine trip to a convenience store, her 16-year-old brother, James, is mistakenly accused of stealing by the police. When the officer slams her brother to the ground, Lolo’s powers manifest for the first time. Meanwhile, Michael Warner, who lives in the same Brooklyn housing projects as the Wrights, is rejected from the football team for being too small. He develops exceptional fighting abilities and shortly afterward gets involved in working for a drug dealer named Skin. When Skin sees a video of Lolo levitating the cop who assaulted James, he wants to recruit her as well, and he tries to extort protection money from Lolo’s dad, who owns a moving business. Lolo must convince Michael to choose a different path; it’s only by working together that they can defeat Skin. Featuring dizzying shifts among multiple perspectives, this full-color graphic novel presents vibrant, expressive characters set against mostly simple, bright backgrounds, with extreme violence depicted in gory detail. The narrative briefly explores class issues and racial stereotypes, but while the setup is intriguing, the momentum fizzles and the pieces never quite come together. Most main characters are Black; Skin reads as White, and secondary characters appear racially diverse.

An action-packed tale for those thirsty for more superhero stories. (Graphic fantasy. 14-18)

Pub Date: March 1, 2022

ISBN: 978-0-06-302956-9

Page Count: 256

Publisher: HarperAlley

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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