A solid, well-written novel of relationships and growth.
In this domestic novel set in 20th-century Nigeria, Oyinsan tells the story of Oyinkan and Kole, their troubled marriage, and Oyinkan’s relationship with the grandmother who raised her and the mother who largely abandoned her.
In the book’s opening chapter, Oyinkan and Kole’s separation ends as they rush their son Moyo to the hospital after Kole accidentally injures him. The narrative then flashes back to Oyinkan’s childhood, growing up in her grandmother’s house. When her grandmother dies, Oyinkan is sent to live with her mother’s family, where she is treated as a distant relative because her half siblings have no idea they have a sister. Oyinkan falls in love with Kole and gives birth to Moyo soon after they marry, setting aside her own aspirations to work as a typist to care for her son. As Kole’s construction business grows, the couple’s marital tensions increase. Eventually, Oyinkan leaves him, moving into the house she inherited from her grandmother and starting a construction business of her own. Oyinkan finds her grandmother’s diary and learns about the complexities of the woman who raised her and the woman who gave birth to her, developing a more solid sense of herself in the process. Oyinsan is a strong writer, presenting a well-developed voice and inventive descriptions (“Her colors were the tones of gaiety, of vibrant youth, of laughter and life itself”). The diary sections, textual interludes in Oyinkan’s tale, are engrossing and effective, adding texture to the novel. The Nigerian setting is well imagined, full of Yoruba dialogue translated in footnotes. While readers may grow frustrated as Oyinkan and Kole’s home life becomes more and more dysfunctional, Oyinsan does a good job of rendering the entire cast as both plausible and sympathetic, delivering an ultimately satisfying resolution to the many conflicts that arise.
A solid, well-written novel of relationships and growth.Pub Date: May 23, 2020
ISBN: 978-1-4610-0298-7
Page Count: 344
Publisher: CreateSpace
Review Posted Online: July 7, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Review Program: Kirkus Indie
PROFILES
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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