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MAE MAKES A WAY

THE TRUE STORY OF MAE REEVES, HAT & HISTORY MAKER

A pleaser for younger readers, particularly fans of fashion and fashion design, in search of role models.

A soaring tribute to a pioneering African American milliner whose shop is preserved in the Smithsonian Institution.

In effervescent prose—“She made sassy hats, classy hats, high headpieces, and low caps. She used bows and baubles, created ruffles and bustle”—Rhuday-Perkovich traces both Reeves’ family life and her career, from early years as a schoolteacher and student at the integrated Chicago School of Millinery to fame as owner of a Philadelphia shop with a clientele ranging from “church ladies” to celebrities like Marian Anderson and Ella Fitzgerald. Along with dozens of examples of elegant, usually understated hats on the heads of dark- and light-skinned customers, Pippins uses bright, flat colors to portray her dignified, confident-looking subject through the years (she died in 2016, at 104) surrounded by both her children and the ribbons, spools, tools, and fabrics of her creative trade. Interviews with her daughter and a Smithsonian curator, plus photos and a source list that includes leads to video interviews made a few years before her death, “cap” this introduction to a successful Black designer, entrepreneur, and community leader. (This book was reviewed digitally.)

A pleaser for younger readers, particularly fans of fashion and fashion design, in search of role models. (Picture-book biography. 7-9)

Pub Date: May 24, 2022

ISBN: 978-0-525-64585-6

Page Count: 48

Publisher: Crown

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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GEORGE CRUM AND THE SARATOGA CHIP

Spinning lively invented details around skimpy historical records, Taylor profiles the 19th-century chef credited with inventing the potato chip. Crum, thought to be of mixed Native-American and African-American ancestry, was a lover of the outdoors, who turned cooking skills learned from a French hunter into a kitchen job at an upscale resort in New York state. As the story goes, he fried up the first batch of chips in a fit of pique after a diner complained that his French fries were cut too thickly. Morrison’s schoolroom, kitchen and restaurant scenes seem a little more integrated than would have been likely in the 1850s, but his sinuous figures slide through them with exaggerated elegance, adding a theatrical energy as delicious as the snack food they celebrate. The author leaves Crum presiding over a restaurant (also integrated) of his own, closes with a note separating fact from fiction and also lists her sources. (Picture book/nonfiction. 7-9)

Pub Date: April 1, 2006

ISBN: 1-58430-255-0

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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JUST LIKE JESSE OWENS

A pivotal moment in a child’s life, at once stirring and authentically personal.

Before growing up to become a major figure in the civil rights movement, a boy finds a role model.

Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)

A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)

Pub Date: Aug. 2, 2022

ISBN: 978-0-545-55465-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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