A bravado novel about survival and rebirth in a subculture that moves to its own rhythms.

HERE COME THE DOGS

Three immigrants battle the heat, society, and their own predispositions toward conflict during one long, hot summer in rural Australia.

Poet and rapper Musa is a certifiable rock star in his native Australia, and he definitely brings a frenetic intensity to his debut novel about coming of age in a land of strangers. The novel bounces its vibrating focus among three main characters, all of whom are distinctly drawn. For sheer swagger, there’s Solomon, a rapper, poet, and basketball player of Samoan origin. We get inside his head through interstitial interludes where he waxes poetic on girls, his buddies, and street life. “Wish we had a white person with us,” he muses. “Ten empty cabs have passed us by.” Our tortured soul is Aleks, a house painter from Macedonia whose domestic life with his wife and kid is disrupted by his predilection for graffiti and crime that pays. The sensitive one is Solomon’s half brother, Jimmy, another disenfranchised young man whose lack of connection to the world is starting to mess with his head. There’s not a lot of momentum to the plot beyond Solomon and Jimmy’s run-in with Damien Crawford, a government minister out to upend the country’s Racial Discrimination Act. A lot of the book is just about getting through the day, whether it’s drinking, messing around with the girls the book primarily views as ornaments, or suffering under the blazing Australian sun. But what the book may lack in narrative cohesion, it surely makes up in style, with its relentless pace and fierce ruminations on what it means to be a man. “You gotta keep calm,” Solomon tells a kid he’s teaching about the game. “Keep your composure. In this world, they’re plenty of people trying to get you angry. Make you lose it. Never give in to ’em.”

A bravado novel about survival and rebirth in a subculture that moves to its own rhythms.

Pub Date: Jan. 12, 2016

ISBN: 978-1-62097-117-8

Page Count: 352

Publisher: The New Press

Review Posted Online: Oct. 8, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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