Tyree's debut is much longer than a YA novel, and far more vulgar, but the subject is pure teen: The ins and outs of dating matched up with a guide to fashion dos and don'ts. The further twist is that it's set in a largely black neighborhood of Philadelphia, where whites exist only as an excuse for some silly Afrocentric theorizing. At the heart of this morality tale is Tracy Ellison, a young girl whose adolescence and teenage years are depicted largely as a monotonous soap opera. The daughter of hardworking parents, Tracy lives in Germantown, a middle-class neighborhood, and does well in school. Her problems stem mainly from boys, and for most of her young life, she's truly boy-crazy. So much so, that this overlong narrative records in dull detail her years of flirting, courting, kissing, and having sex—``a game of choosing and chasing and dumping.'' By 13, she's tall, curvaceous, and cunning; she ``had to have whomever she wanted right away.'' That includes a wide range of eager young men, from the awkward and fumbling Bruce to the violent thief Timmy. With time, Tracy learns not to give it out without getting things in return, even though her behavior shocks her lifelong neighbor, Raheema, a studious girl who postpones her deflowering. What finally turns Tracy around, though, is the sad example of Raheema's older sister, who has become a crack whore. In this tightly ordered universe, bad living leads to addiction, unwanted pregnancy, jail, or death. Tracy also comes under the influence of some college girls who introduce her to the world of Kente cloth and the Minister Farrakhan. Tyree's shapeless docudrama seems written for an audience he intends to shock—why else would he pause so often (and so awkwardly) to translate slang terms that any watcher of Moesha would know? But for all its immoral behavior, it's a cautionary of the most heavy-handed sort: virtue rewarded; vice punished.
Pub Date: Oct. 1, 1996
ISBN: 0-684-82928-2
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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