Firmly in the secondary tier of books about the bizarre, chaotic crew at 1600 Pennsylvania Ave.
The one-time reality TV contestant and player in an ongoing White House drama bares all—and hints at more.
According to Newman, there’s a recording out there with the N-word spilling out of the mouth of the sitting president. “During production,” she writes, “he was miked, and there is definitely an audio track.” That she or some other former staffer hasn’t brought forth such a thing, she suggests, is just a matter of time, but no matter. Here, the former Apprentice cast member dishes on Donald Trump—and just about everyone else in the White House in the last couple of years. A few are spared: Anthony Scaramucci, for instance, was “cocky and arrogant…but oddly likable,” while Trump referred to Kellyanne Conway’s contrarian husband as “Flip,” for “f*cking little island people,” a reference to his Filipino heritage. As for first daughter Ivanka? “Like her father,” writes the author, “Ivanka was thin-skinned and could not seem to take a joke.” But most of the news, such as it is, in this memoir is about Trump himself, and there’s not much that even the casual observer wouldn’t know: Trump thrives on chaos? Check. He has anger issues? Check. The White House is a mess? Check. The memoir serves as reinforcement, in other words, rather than as fresh meat, and as such, it’s fairly dispensable, especially as the author attempts to explain why she went to the Trump side in the first place: She came from a rough side of town where wealth and power were aspirations and those who had them were role models, and as for his aberrations, well, “he was just overwhelmed, as we all were, by the awesome responsibility of leading the nation.” Once the veil is lifted and she escapes “from the cult of Trumpworld,” things get a little more critical—Racist? Check. Rattled? Check—but no more newsworthy.
Firmly in the secondary tier of books about the bizarre, chaotic crew at 1600 Pennsylvania Ave.Pub Date: Aug. 14, 2018
ISBN: 978-1-982109-70-7
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 4, 2018
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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