by Orhan Pamuk ‧ RELEASE DATE: Sept. 24, 2007
Luminous writing that reveals a sweeping intelligence and a capacious heart.
Pamuk (Istanbul: Memories in Literature, 2005, etc.), the 2006 Nobel Laureate in Literature, offers an eclectic collection of more than 75 pieces—interviews, acceptance speeches, affecting fiction, memories, meditations and tributes and more.
Although the author composed these wide-ranging pieces over a span of decades (dates would have been helpful), a number of common themes emerge—the conflicts he has experienced as a “Westernized” Turk, the ever-diminishing population of readers of literary fiction, the fragility of life. He writes of the 1999 earthquake that killed 30,000 of his countrymen in mere seconds. He revisits his own routines and strategies as a writer: He writes ten hours a day, prefers absolute solitude and prepares detailed outlines for his fiction, sometimes composing chapters out of sequence. In an essay that recently appeared in the New Yorker, he writes lovingly of his daughter, who gets more enjoyment out of a strange dog than a dramatic scenic view. Periodically, he chides procrustean political authorities—in Turkey and elsewhere (“freedom of thought and expression are universal human rights”)—and describes some dismaying experiences with the American legal system, including an anxiety-ridden testimony against some New York muggers. He counterpoises an eloquent essay about his first visit to the Big Apple in 1986 with repeated references to his profound affection for Istanbul, where he has lived all his life (b. 1952). He tips his cap to numerous other writers who influenced him—Faulkner, Mann, Hemingway, Proust—and makes us wonder: Did he read every major work of fiction in his teens? He even includes a piece right out of an elementary-school teacher’s lesson plan: “Class, look at this drawing and write as if you were one of the figures in it.” The stunning paragraph from his Nobel acceptance speech about why he writes is worth the cover price alone.
Luminous writing that reveals a sweeping intelligence and a capacious heart.Pub Date: Sept. 24, 2007
ISBN: 978-0-307-26675-0
Page Count: 420
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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