by Orit Fussfeld Cohen ‧ RELEASE DATE: Dec. 20, 2017
A challenging but illuminating critique of female action heroes.
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Debut author Fussfeld Cohen examines the rise of the female action hero in the digital age in this work of film criticism.
Beginning in the mid-1990s, video games and Hollywood movies began offering viewers something that they had not often seen before: female action heroes who behaved a lot like their male counterparts. (Think: Tomb Raider, Resident Evil, and Kill Bill.) Fussfeld Cohen argues that the primary reason for this trend was the newly available digital technology that allowed female characters to suddenly perform outside the physical constraints of the actresses portraying them. “By avoiding material limitations,” writes Fussfeld Cohen in the book’s preface, “the digital woman embodies a postgender reflection and articulates a new potential for a cultural change in a cybersociety that embraces digital technologies as a central means of expression.” By tracing the evolution of female heroes from the 1970s exploitation era (Foxy Brown, Charlie’s Angels) to contemporary depictions in works like The Hunger Games, Westworld, and Mass Effect, Fussfeld Cohen explores the various ways that female action protagonists have eroded, undermined, and upheld traditional understandings of womanhood. What’s more, Fussfeld Cohen uses these female characters as a lens to analyze the ways that digital technology has affected Western culture and the narratives we consume. The book is an outgrowth of Fussfeld Cohen’s doctoral research, and it reads as such, reflecting the specialized language of academic theory: “While forced to use hegemonic languages, the new diasporic cinema is regarded as creating hybrid combinations of images that express the disjunction between the visual and the verbal.” General readers might be turned off before they make it out of the introduction, but those who stick with it will find that Fussfeld Cohen has constructed a comprehensive study of this particular archetype. More interestingly, she has shown that the digital revolution has changed popular entertainment in more ways than simply allowing for more convincing green screen environments and better video game graphics. It has altered the way we consider gender, beauty, and the human body (for better and for worse). Suffice it to say, readers will go into their next summer blockbuster with a new perspective.
A challenging but illuminating critique of female action heroes.Pub Date: Dec. 20, 2017
ISBN: 978-1-978336-18-6
Page Count: 214
Publisher: CreateSpace
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 15, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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