by Orlando Ortega-Medina ‧ RELEASE DATE: Jan. 26, 2017
Stylish, sincere tales that go to dark, sometimes-uncomfortable places.
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In Ortega-Medina’s debut short story collection, characters are consumed by their fascinations with sex, death, and inescapable fate.
The unnamed Japanese narrator in the opening story, “Torture by Roses,” takes a job working for millionaire Ikeda Yataro in Tokyo. All he has to do to become Ikeda’s heir is deliver meals and correspondence. But what Ikeda takes from the narrator is far greater: he wants to teach him how to hate, which would, for starters, entail calling off his engagement with his fiancee. The narrator, who’s told to ask no questions, is a prisoner of sorts, which makes him akin to other characters throughout the book. In “Cactuses,” for example, an aspiring writer meets an older, well-known author who’s resigned to his inevitable, imminent death: “I just know,” he tells the young man, that it will happen soon. In “Star Party,” a man named Isaac is granted temporary asylum in the United States and can’t leave the country until his case is decided, and in “And a Little Child Shall Lead Them,” Sadie Hunter, a battered woman, gets no help from her mother or a priest. Ortega-Medina’s tales are predominantly somber and often dabble in the macabre, as when lonely Susan Foltz, in “After the Storm,” finds a dead body on the beach and drags it back to her lighthouse home. In “Invitation to the Dominant Culture,” a man named Guillermo Fausto Perez III discovers sex as well as a disturbing, kinky side of his personality. There’s definitely poignancy in these stories, however, as characters search for identity, be it religious or sexual; for example, Marc Sadot, in the two-part story “An Israel State of Mind,” hopes that his Israel trip will help him in “ridding himself” of his desires, but instead it reunites him with the man he loves. The surprisingly amusing “The Shovelist” is a bright spot among gloomier themes, as new neighbors Jake and Ronny find it difficult to say no to elderly Guillaume’s offer to be their snow-shoveler. Ortega-Medina’s prose is elegant and potent throughout, with visceral passages bathed in lyricism: “Down below, the ocean continued to vomit forth waves of foam and debris on to the beach.”
Stylish, sincere tales that go to dark, sometimes-uncomfortable places.Pub Date: Jan. 26, 2017
ISBN: 978-1-5262-0253-6
Page Count: 180
Publisher: Cloud Lodge Books
Review Posted Online: July 29, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Review Program: Kirkus Indie
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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by Chaim Potok ‧ RELEASE DATE: April 28, 1967
This first novel, ostensibly about the friendship between two boys, Reuven and Danny, from the time when they are fourteen on opposing yeshiva ball clubs, is actually a gently didactic differentiation between two aspects of the Jewish faith, the Hasidic and the Orthodox. Primarily the Hasidic, the little known mystics with their beards, earlocks and stringently reclusive way of life. According to Reuven's father who is a Zionist, an activist, they are fanatics; according to Danny's, other Jews are apostates and Zionists "goyim." The schisms here are reflected through discussions, between fathers and sons, and through the separation imposed on the two boys for two years which still does not affect their lasting friendship or enduring hopes: Danny goes on to become a psychiatrist refusing his inherited position of "tzaddik"; Reuven a rabbi.... The explanation, in fact exegesis, of Jewish culture and learning, of the special dedication of the Hasidic with its emphasis on mind and soul, is done in sufficiently facile form to engage one's interest and sentiment. The publishers however see a much wider audience for The Chosen. If they "rub their tzitzis for good luck,"—perhaps—although we doubt it.
Pub Date: April 28, 1967
ISBN: 0449911543
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: April 6, 2012
Kirkus Reviews Issue: April 1, 1967
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