An uneven but entertaining story of war and exile, its shaggy-dog whimsy redeemed by strong writing.
A young gay man and his faithful dog weather harrowing violence in El Salvador and a long trek to America in Ortega-Medina’s hallucinatory novel.
Isaac Perez, a teenager living San Salvador in 1978, dreams of becoming an astronaut. Isaac starts an affair with Gerónimo, a handsome, politically engaged altar boy, but his deepest bond is with Ahbhu, an injured Australian Cattle Dog pup that he nurses back to health. The promiscuous Gerónimo never fully requites Isaac’s love, but Ahbhu is supremely faithful to him; indeed, their communion is so intense that Ahbhu is able to hold telepathic conversations with Isaac. This comes in handy as El Salvador’s civil war, pitting left-wing guerillas against the army and right-wing death squads, escalates in the 1980s. When a bus carrying Isaac and a group of left-wing activists is stopped by soldiers, Ahbhu guides him to safety as a massacre begins in which Isaac’s brother Arturo is killed. Framed for the murder of a soldier, Isaac flees north toward the United States, assisted by Suchi, a no-nonsense lesbian who belongs to an underground railroad for migrating gay people. In Mexico City, Isaac meets dreamboat Diego and his father, Don Federico, an indigenous seer who can also converse with Ahbhu. This magical-realist yarn suffers from weak main characters: Ahbhu is heroic but one-dimensional, and Isaac comes off as passive; he’s dependent on everyone and his dog to steer him. Fortunately, the supporting characters are vibrant and sharply etched—the hard-bitten Suchi flintily surmounts all challenges but is helpless prey to a leggy con woman—and Ortega-Medina’s prose is evocative and punchy (“Before we had even a chance to react, Cano dragged the driver off the bus, shoved him onto the ground, and put a bullet in his head, the sound of the single gunshot ricocheting off the hills”). The fantasy elements are a bit goofy, but the storytelling is vigorous and gripping.
An uneven but entertaining story of war and exile, its shaggy-dog whimsy redeemed by strong writing.Pub Date: Jan. 14, 2025
ISBN: 9781612943022
Page Count: 300
Publisher: Amble Press
Review Posted Online: Oct. 30, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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