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THE HOLLYWOOD KID

THE VIOLENT LIFE AND VIOLENT DEATH OF AN MS-13 HITMAN

An account that makes it difficult for American readers to ignore their country’s role in violence south of the border.

An MS-13 hit man–turned-informer provides extraordinary access to the co-authors before meeting his fate.

“This is a book about scraps,” write journalist Óscar Martínez (A History of Violence: Living and Dying in Central America, 2016, etc.) and his ethnographer brother, Juan José Martínez. By “scraps,” they don’t mean the colloquial fights, though their narrative is filled with those, many of them lethal. They mean discards, “leftovers that the enormous machinery of the United States chucks across its borders.” In a vicious cycle, the violence bred in Los Angeles, where gang warfare pits ethnicities against each other, returns home through deportation and spreads and increases through international networks to become a threat to governments in both countries. Though Miguel Ángel Tobar never left his native El Salvador or came close to the Hollywood that earned him his nickname, he was a murderer before his teens, ultimately responsible for so much of the bloodshed that would make his homeland “the most murderous country in the world.” Yet this story is as much about the international forces that shaped the killer who operated below the international radar as the violence spread by U.S. policies that support the repressive regimes in the countries where gang members can recruit acolytes to form larger and deadlier gangs. Caught in this cycle, Tobar turned informer for the police, testifying at trials behind a mask, his voice doctored, though his identity apparently wasn’t much in doubt. Between police corruption that spread to prisons that were controlled by the gangs and the brutal justice that gang loyalty demanded, the fate of the informer was never in doubt, either—it wasn’t a matter of if, but when. The immediate narrative both begins and ends with Tobar’s death, but in between, he shares his story of a life that offered few choices, none of them good.

An account that makes it difficult for American readers to ignore their country’s role in violence south of the border.

Pub Date: Oct. 1, 2019

ISBN: 978-1-78663-493-1

Page Count: 320

Publisher: Verso

Review Posted Online: Aug. 6, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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