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RED TRAITOR

A pretty good thriller in an informative historical setting.

A fictionalized account of the Cuban missile crisis from the Soviet perspective.

Fresh from a triumphant case involving a Soviet nuclear superbomb, Alexander Vasin of the Special Cases directorate of the KGB is attempting to catch a high-level spy. Oleg Morozov of the GRU is believed to be passing secrets to the Americans, but all Vasin’s efforts to uncover the traitor have so far yielded nothing. Vasin feels a particular urgency to succeed because his own boss, Gen. Orlov, is locked in mortal bureaucratic combat with Morozov’s boss, Gen. Serov. As Vasin pursues his quarry, he uncovers evidence that the Politburo has authorized the shipment and installation of nuclear missiles in Cuba. In a separate plot development, a flotilla of four Soviet submarines, each one carrying a single nuclear torpedo in addition to its conventional torpedoes, is deployed toward Cuba. As Vasin uncovers more and more of this unsettling situation, he comes to believe that the American government needs to be informed, and he begins to try to use Morozov as a conduit. The discovery of the missiles in Cuba precipitates a diplomatic crisis, but cooler heads eventually prevail over the hawkish Soviet faction. The submarines, however, present another threat. Submerged and beyond communication, they do not require confirmatory orders to use their weapons, and when the U.S. “quarantine” corrals them, the possibility of a nuclear exchange looms. Matthews has done solid historical research—in many cases his characters bear the names of the actual participants—and the fictionalization is deft, but his need to represent all the moving parts detracts from the effect of the whole. Though the matter is momentous, less might have been more.

A pretty good thriller in an informative historical setting.

Pub Date: July 20, 2021

ISBN: 978-0-385-54342-2

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 1, 2021

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AN INSIDE JOB

A rather flat entry in a generally excellent series.

The 25th novel featuring Silva’s legendary protagonist.

During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.

A rather flat entry in a generally excellent series.

Pub Date: July 15, 2025

ISBN: 9780063384217

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE MATCHMAKER

Intrigue, murder, and vengeance make for a darkly enjoyable read.

A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.

In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.

Intrigue, murder, and vengeance make for a darkly enjoyable read.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64313-865-7

Page Count: 352

Publisher: Pegasus Crime

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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