A delightfully sweet, funny, and heartbreaking ode to love stories, both onscreen and off-.
A movie-obsessed projectionist looks back at his relationship and wonders where it all went wrong in this debut from Nicholls.
Nick and Ellie meet under auspicious circumstances: at an election-viewing party the night that Barack Obama is chosen as the next president of the United States. Nick, who loves nothing more than films and works as a projectionist at a theater, instantly falls for Ellie and sees the entire movie of their relationship play out in his mind. Now it’s four years later, Obama is about to be elected president once again, and Ellie’s moved out of their apartment. Forlorn and desperate to figure out where it all went wrong, Nick retraces their entire relationship as the plot jumps back and forth among the night they met, the present day, and the challenges the couple faced along the way. Meanwhile, Nick finds himself falling further and further into despair as he loses his apartment, his parents move away, and his theater switches from film to digital, rendering his job obsolete. With his entire life in shambles, Nick must finally look inward to figure out why things with Ellie really didn’t work out. Nick tends to think in movie references, many of which are very clever, particularly an oft-remembered argument with Ellie about Eternal Sunshine of the Spotless Mind. Unlike in many books and movies with similar plots, Nicholls doesn’t treat his female character like the bad guy for stomping on the male character’s heart and ego. Instead, he examines her point of view as she reminds Nick that life is more than just movies—or, at least, life doesn’t turn out like the movies sometimes, and Nick may have to make some big changes if he wants a Hollywood ending. Their relationship has cinematic highs and believable lows, with fully rounded characters and smart, snappy, romantic comedy–worthy dialogue. Nick’s and Ellie’s real lives aren’t a movie, but as Nicholls tells it, they might have a happily-ever-after anyway.
A delightfully sweet, funny, and heartbreaking ode to love stories, both onscreen and off-.Pub Date: Feb. 11, 2020
ISBN: 978-1-9848-2687-9
Page Count: 352
Publisher: Ballantine
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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