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LOVE, UNSCRIPTED

A delightfully sweet, funny, and heartbreaking ode to love stories, both onscreen and off-.

A movie-obsessed projectionist looks back at his relationship and wonders where it all went wrong in this debut from Nicholls.

Nick and Ellie meet under auspicious circumstances: at an election-viewing party the night that Barack Obama is chosen as the next president of the United States. Nick, who loves nothing more than films and works as a projectionist at a theater, instantly falls for Ellie and sees the entire movie of their relationship play out in his mind. Now it’s four years later, Obama is about to be elected president once again, and Ellie’s moved out of their apartment. Forlorn and desperate to figure out where it all went wrong, Nick retraces their entire relationship as the plot jumps back and forth among the night they met, the present day, and the challenges the couple faced along the way. Meanwhile, Nick finds himself falling further and further into despair as he loses his apartment, his parents move away, and his theater switches from film to digital, rendering his job obsolete. With his entire life in shambles, Nick must finally look inward to figure out why things with Ellie really didn’t work out. Nick tends to think in movie references, many of which are very clever, particularly an oft-remembered argument with Ellie about Eternal Sunshine of the Spotless Mind. Unlike in many books and movies with similar plots, Nicholls doesn’t treat his female character like the bad guy for stomping on the male character’s heart and ego. Instead, he examines her point of view as she reminds Nick that life is more than just movies—or, at least, life doesn’t turn out like the movies sometimes, and Nick may have to make some big changes if he wants a Hollywood ending. Their relationship has cinematic highs and believable lows, with fully rounded characters and smart, snappy, romantic comedy–worthy dialogue. Nick’s and Ellie’s real lives aren’t a movie, but as Nicholls tells it, they might have a happily-ever-after anyway.

A delightfully sweet, funny, and heartbreaking ode to love stories, both onscreen and off-.

Pub Date: Feb. 11, 2020

ISBN: 978-1-9848-2687-9

Page Count: 352

Publisher: Ballantine

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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