Is this a tragedy or a comedy? Though it ends up uneasily in the middle, it’s well-written and juicy.
A family of Nigerian women finds their romantic lives plagued by a long-ago curse in the new novel by the author of My Sister, the Serial Killer (2018).
As Braithwaite’s story opens, a 25-year-old woman named Monife is about to drown herself in the ocean due to a disappointment in love: “The tragedy had already happened and this was simply the inevitable consequence.” On the day of her funeral, her cousin Ebun gives birth to a daughter who looks exactly like her late aunty. Little Eniiyi will grow to resemble Monife more and more closely, and eventually her life will become deeply entangled with and reflective of Monife’s. No woman in the family has ever had a successful relationship with a man, and family lore traces this back to a forebear who stole another woman’s husband and was cursed by her as follows: “No man will call your house, home. And if they try, they will not have peace. Your daughters are cursed—they will pursue men, but the men will be like water in their palms. Your granddaughters will love in vain. Your great granddaughters will labour for acknowledgement, but they will fall short of other women. Your daughters, your daughters daughters and all the women to come will suffer for man’s sake.” This whole novel revolves around the questions of whether Eniiyi is in fact the reincarnation of Monife, and whether there really is such a thing as a curse. The problem is that you will come away unsure. Eniiyi herself thinks it’s hooey and plans to go into genetic counseling to deal with the matter of inheritance in a more rational way, but when push comes to shove, she too consults the juju lady. The chapters jump back and forth through time, ranging from 1994 to 2025, and among the perspectives of Monife, Ebun, and Eniiyi, and thankfully by the end the women seem to be getting a little more control of their destinies (even the dead one!).
Is this a tragedy or a comedy? Though it ends up uneasily in the middle, it’s well-written and juicy.Pub Date: Nov. 4, 2025
ISBN: 9780385551472
Page Count: 352
Publisher: Doubleday
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
BOOK REVIEW
SEEN & HEARD
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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