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EXILE OF THE SKY GOD

An effortlessly grand fantasy that should ensnare young and older fans alike.

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This YA novel sees a young god in danger of breaking his pantheon’s oath for the sake of a mortal.

In ancient Egypt, the falcon-faced Horus, God of the Sky, has come of age. At his coronation in the palace courtyard, he’s to receive an amulet of power from Amun Ra, God of the Sun, that bestows miraculous power. Horus chooses to don the face of a mortal. Ra sees the young deity with the wheat-colored hair of a Northerner and becomes enraged. He drops the garnet amulet, cracking it and vastly reducing its power. Horus vows to prove himself to Ra and goes among the worshiping mortals for the first time. The warrior goddess Bastet, a friend, suggests that he “learn about your people and gain their faith.” Yet Horus must abide the Oath of the Gods, which warns against altering a mortal’s fate, showing favor, causing death, or granting life. This proves challenging when Horus notices the enchanting Zahra, head priestess at the Temple of Ra. While she can’t see Horus, Zahra begins to feel his curious presence. Horus wonders why she’s so devoted to the cruel Ra, who ignores even her, the most devoted and bewitching mortal the young god’s yet encountered. In this sensual fantasy, Anastasia (Fates Awoken, 2018, etc.) skillfully balances an epic romance against a crafty magic system that demands Horus perform miracles to regain the power denied him by Ra. When Zahra thanks Horus for bringing shade to the Temple, “warm, yellow light emanated from beneath” his skin. She grows ever harder to resist: Horus finds that “her companionship provided me with a sense of wholeness and belonging.” Complicating matters is Set, God of Chaos, who’d love for Horus to break the oath and leave him a path to the throne. Readers should enjoy the constellation of twists that makes this a shimmering heroic romance with a message of hope through transformation.

An effortlessly grand fantasy that should ensnare young and older fans alike.

Pub Date: June 4, 2019

ISBN: 978-0-9974485-8-0

Page Count: 284

Publisher: Jackal Moon Press

Review Posted Online: Jan. 14, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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