Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?
What if White supremacy was not only a monstrous philosophy, but was enabled by actual horrific monsters? Clark's feverishly inventive period adventure imagines this scenario in blunt and grisly detail.
The story begins in 1922 on the Fourth of July, with the Ku Klux Klan literally on the march in Macon, Georgia. At first glance, everything looks very much the way it did in real-life history, except it’s clear from the first chapter that there are in this white-hooded crowd of White people both human, garden-variety racist “Klans” and demonic carnivores hiding among them known as “Ku Kluxes.” The task of drawing out, hunting down, and killing the Ku Kluxes before they can wreak havoc falls to three fearless Black women: sharpshooter Sadie, who aims her trusty Winchester rifle from any distance with deadly precision; Cordelia Lawrence, who won her nickname, “Chef,” and her battle regalia while fighting with the Black Rattlers regiment during World War I; and their leader, Maryse Boudreaux, the narrator, whose way with a sword is as fearsome as her ability to commune with spirits. This motley trio has been a bulwark against the army of beasts during the early-20th-century peak of Jim Crow racial segregation and violence. But Maryse’s sixth sense tells her there’s even bigger trouble ahead, and its locus appears to be miles away at Stone Mountain, where both Klans and Ku Kluxes are gathering to mobilize for a near-apocalyptic assault. Clark’s novel is at once rousing, boisterous, and clever. He channels the kitschy motifs of early-20th-century pulp horror into a narrative that both spoofs and exalts that flamboyant tradition. In the process, he cunningly and pithily weaves in African folklore, American history, and sociopolitical tropes that resonate with our present-day racial upheaval. Devotees of Lovecraft Country, Get Out, and other horror adventures with African American themes: Take note.
Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?Pub Date: Oct. 13, 2020
ISBN: 978-1-250-76702-8
Page Count: 176
Publisher: Tor
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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