Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?
What if White supremacy was not only a monstrous philosophy, but was enabled by actual horrific monsters? Clark's feverishly inventive period adventure imagines this scenario in blunt and grisly detail.
The story begins in 1922 on the Fourth of July, with the Ku Klux Klan literally on the march in Macon, Georgia. At first glance, everything looks very much the way it did in real-life history, except it’s clear from the first chapter that there are in this white-hooded crowd of White people both human, garden-variety racist “Klans” and demonic carnivores hiding among them known as “Ku Kluxes.” The task of drawing out, hunting down, and killing the Ku Kluxes before they can wreak havoc falls to three fearless Black women: sharpshooter Sadie, who aims her trusty Winchester rifle from any distance with deadly precision; Cordelia Lawrence, who won her nickname, “Chef,” and her battle regalia while fighting with the Black Rattlers regiment during World War I; and their leader, Maryse Boudreaux, the narrator, whose way with a sword is as fearsome as her ability to commune with spirits. This motley trio has been a bulwark against the army of beasts during the early-20th-century peak of Jim Crow racial segregation and violence. But Maryse’s sixth sense tells her there’s even bigger trouble ahead, and its locus appears to be miles away at Stone Mountain, where both Klans and Ku Kluxes are gathering to mobilize for a near-apocalyptic assault. Clark’s novel is at once rousing, boisterous, and clever. He channels the kitschy motifs of early-20th-century pulp horror into a narrative that both spoofs and exalts that flamboyant tradition. In the process, he cunningly and pithily weaves in African folklore, American history, and sociopolitical tropes that resonate with our present-day racial upheaval. Devotees of Lovecraft Country, Get Out, and other horror adventures with African American themes: Take note.
Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?Pub Date: Oct. 13, 2020
ISBN: 978-1-250-76702-8
Page Count: 176
Publisher: Tor
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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