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RING SHOUT

OR, HUNTING KU KLUXES IN THE END TIMES

Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?

What if White supremacy was not only a monstrous philosophy, but was enabled by actual horrific monsters? Clark's feverishly inventive period adventure imagines this scenario in blunt and grisly detail.

The story begins in 1922 on the Fourth of July, with the Ku Klux Klan literally on the march in Macon, Georgia. At first glance, everything looks very much the way it did in real-life history, except it’s clear from the first chapter that there are in this white-hooded crowd of White people both human, garden-variety racist “Klans” and demonic carnivores hiding among them known as “Ku Kluxes.” The task of drawing out, hunting down, and killing the Ku Kluxes before they can wreak havoc falls to three fearless Black women: sharpshooter Sadie, who aims her trusty Winchester rifle from any distance with deadly precision; Cordelia Lawrence, who won her nickname, “Chef,” and her battle regalia while fighting with the Black Rattlers regiment during World War I; and their leader, Maryse Boudreaux, the narrator, whose way with a sword is as fearsome as her ability to commune with spirits. This motley trio has been a bulwark against the army of beasts during the early-20th-century peak of Jim Crow racial segregation and violence. But Maryse’s sixth sense tells her there’s even bigger trouble ahead, and its locus appears to be miles away at Stone Mountain, where both Klans and Ku Kluxes are gathering to mobilize for a near-apocalyptic assault. Clark’s novel is at once rousing, boisterous, and clever. He channels the kitschy motifs of early-20th-century pulp horror into a narrative that both spoofs and exalts that flamboyant tradition. In the process, he cunningly and pithily weaves in African folklore, American history, and sociopolitical tropes that resonate with our present-day racial upheaval. Devotees of Lovecraft Country, Get Out, and other horror adventures with African American themes: Take note.

Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?

Pub Date: Oct. 13, 2020

ISBN: 978-1-250-76702-8

Page Count: 176

Publisher: Tor

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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SMALL THINGS LIKE THESE

A stunning feat of storytelling and moral clarity.

Awards & Accolades

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  • Booker Prize Finalist

An Irishman uncovers abuse at a Magdalen laundry in this compact and gripping novel.

As Christmas approaches in the winter of 1985, Bill Furlong finds himself increasingly troubled by a sense of dissatisfaction. A coal and timber merchant living in New Ross, Ireland, he should be happy with his life: He is happily married and the father of five bright daughters, and he runs a successful business. But the scars of his childhood linger: His mother gave birth to him while still a teenager, and he never knew his father. Now, as he approaches middle age, Furlong wonders, “What was it all for?…Might things never change or develop into something else, or new?” But a series of troubling encounters at the local convent, which also functions as a “training school for girls” and laundry business, disrupts Furlong’s sedate life. Readers familiar with the history of Ireland’s Magdalen laundries, institutions in which women were incarcerated and often died, will immediately recognize the circumstances of the desperate women trapped in New Ross’ convent, but Furlong does not immediately understand what he has witnessed. Keegan, a prizewinning Irish short story writer, says a great deal in very few words to extraordinary effect in this short novel. Despite the brevity of the text, Furlong’s emotional state is fully rendered and deeply affecting. Keegan also carefully crafts a web of complicity around the convent’s activities that is believably mundane and all the more chilling for it. The Magdalen laundries, this novel implicitly argues, survived not only due to the cruelty of the people who ran them, but also because of the fear and selfishness of those who were willing to look aside because complicity was easier than resistance.

A stunning feat of storytelling and moral clarity.

Pub Date: Nov. 30, 2021

ISBN: 978-0-8021-5874-1

Page Count: 128

Publisher: Grove

Review Posted Online: Aug. 31, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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PROPHET SONG

Captivating, frightening, and a singular achievement.

As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.

For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).

Captivating, frightening, and a singular achievement.

Pub Date: Dec. 5, 2023

ISBN: 9780802163011

Page Count: 320

Publisher: Atlantic Monthly

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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