Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?
What if White supremacy was not only a monstrous philosophy, but was enabled by actual horrific monsters? Clark's feverishly inventive period adventure imagines this scenario in blunt and grisly detail.
The story begins in 1922 on the Fourth of July, with the Ku Klux Klan literally on the march in Macon, Georgia. At first glance, everything looks very much the way it did in real-life history, except it’s clear from the first chapter that there are in this white-hooded crowd of White people both human, garden-variety racist “Klans” and demonic carnivores hiding among them known as “Ku Kluxes.” The task of drawing out, hunting down, and killing the Ku Kluxes before they can wreak havoc falls to three fearless Black women: sharpshooter Sadie, who aims her trusty Winchester rifle from any distance with deadly precision; Cordelia Lawrence, who won her nickname, “Chef,” and her battle regalia while fighting with the Black Rattlers regiment during World War I; and their leader, Maryse Boudreaux, the narrator, whose way with a sword is as fearsome as her ability to commune with spirits. This motley trio has been a bulwark against the army of beasts during the early-20th-century peak of Jim Crow racial segregation and violence. But Maryse’s sixth sense tells her there’s even bigger trouble ahead, and its locus appears to be miles away at Stone Mountain, where both Klans and Ku Kluxes are gathering to mobilize for a near-apocalyptic assault. Clark’s novel is at once rousing, boisterous, and clever. He channels the kitschy motifs of early-20th-century pulp horror into a narrative that both spoofs and exalts that flamboyant tradition. In the process, he cunningly and pithily weaves in African folklore, American history, and sociopolitical tropes that resonate with our present-day racial upheaval. Devotees of Lovecraft Country, Get Out, and other horror adventures with African American themes: Take note.
Thrills, chills, macabre humor, and engaging heroines to root for: What more could a reader want?Pub Date: Oct. 13, 2020
ISBN: 978-1-250-76702-8
Page Count: 176
Publisher: Tor
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.
A fantasy adventure with a sometimes-biting wit.
Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.Pub Date: April 4, 2023
ISBN: 9781250899651
Page Count: 384
Publisher: Tor
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
SEEN & HEARD
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