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THE TRANSLATION OF MEMORIES

RECOLLECTIONS OF THE YOUNG PROUST

Drawing on letters exchanged between Marcel Proust, remarkable composer and musician Reynaldo Hahn, and Marie Nordlinger, Hahn’s British cousin, who distinguished herself as an artist, journalist, and businesswoman, Prestwich weaves a sketchy portrayal of the fin-de-siäcle European cultural elite. In a superficially erudite manner, Prestwich (a freelance arts journalist and heir to Nordlinger’s letters and memorabilia) throws into her book all sorts of references to various turn-of-the-century personalities and events, from the Dreyfus affair to the 1900 Universal Exhibition to Oscar Wilde’s trial. Amazingly, random mosaic pieces like these eventually fall together to form a rather coherent account of the episodes that served as raw material for Proust’s masterpiece, In Search of Lost Time. Although Prestwich pays equal tribute to each of her three protagonists, it’s undoubtedly the figure of Proust who keeps our interest afloat. As reflected in Nordlinger’s memories and letters, Proust seems to have been a passive, self-reflecting observer rather than an active participant in the turmoil of life. Inclined to hypochondria, he was constantly preoccupied with issues of his own mortality and often remained bed-ridden for months due to attacks of asthma or hay fever. His nervous disorder might have resulted from semisuppressed homosexuality, which he himself once qualified as an “incurable disease,” or from the overprotective attitude of his loving mother. Hahn’s remarks to Marie suggest that Marcel deliberately cultivated pain and suffering, considering them beneficial to his art. One of the most invaluable portions of the book deals with Proust’s fascination with Ruskin’s aesthetic theories. During the long 14 years (1895—1909) he spent drafting preliminary episodes for his major novel, Proust’s main passion and regular occupation was translating and interpreting Ruskin’s works with Nordlinger’s assistance. Prestwich’s analysis of the correspondence between Proust and two of his friends can supply the key to a fuller understanding of many episodes from In Search of Lost Time, but readers unfamiliar with the details of the novel may find it hard to appreciate this biographical commentary.

Pub Date: Sept. 10, 1999

ISBN: 0-7206-1056-7

Page Count: 268

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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