A political thriller that relies heavily on action but lacks substance.
Corrupt American and Chinese government officials scramble for control over a medical cure-all derived from a Nepalese plant, culminating in an international incident in Allen’s (Deadly Untruths, 2008) second novel.
Dr. Maggie James and Dr. Jangbu Tong have been researching the growth and effect of a unique plant found in a remote village in Nepal. When Maggie arrives at the village to check on the progress of the experiment, she finds her partner severely beaten. Jangbu reveals that his abusers, hoping to intimidate him into submission, were strangers in search of the plant. In the aftermath of the attack, it’s imperative that the team work quickly to validate their research. As they rush to complete their findings, U.S. senators, lobbyists, an ambitious Chinese ex-pat and his granddaughter, Luli, all scramble to gain control over the miracle drug. Allen then increases the reader’s anticipation of conflict with the introduction of corrupt Chinese government officials. The plant’s power offers what seems like the golden ticket to world domination; everyone wants a piece of the pie. Though briskly paced, the language is often clumsy and redundant. No matter how well the plot is moving, the constant mention of Luli’s youth and beauty or Maggie’s idealism and dedication do little to advance the story. Detailed expositions of the internal workings of the U.S. government—specifically the Senate and the lobbies—indicate exhaustive research or familiarity with the halls of power. Allen has a knack for keeping the reader enthralled by the suspense. Unfortunately, the rush of the plot derails in-depth exploration of the issues of corruption and greed, or the ethics behind the use and dissemination of such a miraculous plant.
A political thriller that relies heavily on action but lacks substance.Pub Date: Sept. 19, 2011
ISBN: 978-1935083337
Page Count: 258
Publisher: CyPress Publications
Review Posted Online: June 12, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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