Memorable reflections on writing and life from an author who pulls no punches.
After six novels and three story collections, Powell gathers his magazine articles and other short works in his first book of nonfiction.
In 2018, Powell, a professor emeritus of creative writing at the University of Florida, said that he had quit writing, and this book suggests he meant it—all of the pieces were written before 2019 and all but one previously published or delivered at literary events. Yet if this volume collects exhumed work, it has no air of mothballs about it. In a generous foreword, Pete Dexter rightly says of the entries: “They move like stories, carry the same expectations, they end like stories.” Powell’s intersecting preoccupations are the South—its art, music, food, wildlife, and literature—and the demands of writing fiction. Befitting those interests, he includes appreciations of his teacher Donald Barthelme and others he’s known or admired from afar: artist William Wegman; writers Grace Paley, Peter Taylor, Denis Johnson, William Trevor, and Flannery O’Connor; and Lynyrd Skynyrd guitarist Allen Collins, with whom he attended junior high in Jacksonville. Standout articles describe Powell’s visits to a world arm-wrestling championship in Sweden and his quest to see “one of the free world’s last indigo snakes” in the wild amid the longleaf pines of Florida and southern Georgia. Elsewhere, he derides “craft books” full of “bloviations” on literary grails such as “round characters and flat characters; backstory; rising action, climax, denouement,” and “the bastardizing of telling versus the apotheosis of showing, hands down the largest bogosity of them all; and the existence of the necessary inevitable, which necessarily cannot be anticipated before its inevitability becomes apparent.” Some writers will see those words as blasphemous, but others will cheer the rare full-frontal assault on MFA program orthodoxies. Either way, if Powell has stopped writing, he’s going out swinging with a fine left hook.
Memorable reflections on writing and life from an author who pulls no punches.Pub Date: Nov. 9, 2021
ISBN: 978-1-64622-005-2
Page Count: 272
Publisher: Catapult
Review Posted Online: July 6, 2021
Kirkus Reviews Issue: Aug. 1, 2021
PERSPECTIVES
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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