by Page Smith ‧ RELEASE DATE: Jan. 1, 1994
From prolific historian Smith (Killing the Spirit, 1990; Redeeming the Time, 1986, etc.): a genealogy of democracy that rejects Max Weber's ``Protestant ethic''—which equates democracy, Christianity, and capitalism—and instead places the democratic impulse squarely in the Christian communalist tradition. Christian doctrine, says Smith, is the basis of our American belief in the equality and unity of all men and women before the law, and in the eyes of God. These ideas first erupted into human consciousness in the Hebrew Bible, and found their clearest expression in the teachings of Jesus. For a thousand years, Smith says, the Catholic Church nurtured the dignity of human life and elevated the status of women to heights unknown in non-Christian cultures. With the Reformation, Protestantism—and American Puritanism in particular—took the lead in the cause of human rights, promoting ``convenanted communities,'' quasi-socialist societies with no room for such capitalist practices as unbridled competition and monopolization. The Reformation left its stamp on many pivotal American events (``radical Protestants freed the slaves''), and the New Deal, Smith argues, was a ``Christian socialist revolution'' led by devout churchgoers, including FDR and Henry Wallace. Today, America's moral leadership lies with black Protestantism and a revitalized Catholicism, which may restore Christianity to ``its classic role as the critic of capitalism.'' Smith's attempt to divorce Christianity and capitalism is only half-successful (see Michael Novak's The Catholic Ethic and the Spirit of Capitalism, 1992, for a pro-capitalist Christian argument); still, a forceful and elegant demonstration of the close alliance between Christianity and democracy on American soil.
Pub Date: Jan. 1, 1994
ISBN: 0-312-10531-2
Page Count: 224
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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