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CLAIRE AND THE CATHEDRAL

Playful and radiant.

Claire’s day seems gloomy and dark until the child realizes that there are rainbows all around, waiting to be discovered.

It’s a dreary day in Paris, and Claire, accompanied by a parent, treks to Notre-Dame Cathedral. Once inside, Claire is unimpressed by the historic artwork. But when the sun illuminates the famed rose windows, Claire is bathed in rainbows. The child frolics—and sees the surroundings anew. Though the sun fades and the skies open up, Claire is finally aware of the beauty and color that was always there: glimmering candles, the prismatic glow wafting from a violin played by a musician outside the cathedral, the stained glass reflecting in a (perfectly jumpable) puddle. Damp and elated, Claire returns home, inspired to make music. Dashes of color juxtaposed against densely cross-hatched grayscale backgrounds help tell this wordless tale. While context clues within the rich illustrations generally result in a clear storyline, readers may need to do some extrapolating and interpreting to make Claire’s narrative arc read cohesively. Simply lined and cartoon-styled, Claire looks especially winsome against the formal, architectural backdrops, which resemble David Macauley’s in their ornateness. The judicious use of color is particularly lovely. Warm, rich, and organically flowing about the page, the rainbows evoke the joyful spirit of art, music, and shared community. Claire is light-skinned and dark-haired; the cathedral visitors vary in skin tone.

Playful and radiant. (Picture book. 4-10)

Pub Date: April 21, 2026

ISBN: 9780063360006

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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