More morality play than fashion fable; a reminder that fame does not always guarantee goodness or likability.

THE QUEEN OF PARIS

Coco Chanel schemes to save her company in Ewen’s (An Accidental Life, 2013, etc.) novel based on the life of the fashion icon.

1940, France: Coco Chanel gets the devastating news that the man who financed her company and paved the way for her iconic success in the fashion industry has stolen the formula for Chanel No. 5. Betrayed and self-righteous, Coco does everything she can think of to thwart his plan, first by trying to buy out France’s jasmine supply, and then by mounting legal countermeasures. One of her darkest weapons: her willingness to challenge Pierre’s rights based on the fact that he is Jewish, for Paris soon falls under Nazi control. As she desperately fights to save her company, Coco also tries to make a deal with her lover, a Nazi spy, to save her nephew (really her son). Spatz agrees to help, as long as Coco will first travel to Spain, there to spy on her vast network of friends and acquaintances and uncover secret information that could bring Spain into the war as a German ally. Ewen’s Coco is a proud and image-conscious character, sprung from a painful, lonely childhood to become a self-made triumph. A Machiavellian madame, she is quite willing to live comfortably in the Hotel Ritz in Paris, surrounded by Nazi officers, as the rest of her country falls to ruin, as the Jews are rounded up and “counted” and then begin disappearing. She’s a hard character to like, but her uncompromising sense of self-worth does inspire grudging admiration at times. Unfortunately, this independent stance indirectly facilitates the horrors of the Holocaust. Perhaps the most uncomfortable effect of Ewen’s story, then, is the way it makes the reader wonder: Would I have understood the true horror of the Nazis’ plans any better than Coco? Would I have taken action, or would I, too, have let the war pass me by?

More morality play than fashion fable; a reminder that fame does not always guarantee goodness or likability.

Pub Date: April 7, 2020

ISBN: 978-1-9825-4684-7

Page Count: 428

Publisher: Blackstone

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.

CODE NAME HÉLÈNE

A historical novel explores the intersection of love and war in the life of Australian-born World War II heroine Nancy Grace Augusta Wake.

Lawhon’s (I Was Anastasia, 2018, etc.) carefully researched, lively historical novels tend to be founded on a strategic chronological gambit, whether it’s the suspenseful countdown to the landing of the Hindenberg or the tale of a Romanov princess told backward and forward at once. In her fourth novel, she splits the story of the amazing Nancy Wake, woman of many aliases, into two interwoven strands, both told in first-person present. One begins on Feb. 29th, 1944, when Wake, code-named Hélène by the British Special Operations Executive, parachutes into Vichy-controlled France to aid the troops of the Resistance, working with comrades “Hubert” and “Denden”—two of many vividly drawn supporting characters. “I wake just before dawn with a full bladder and the uncomfortable realization that I am surrounded on all sides by two hundred sex-starved Frenchmen,” she says. The second strand starts eight years earlier in Paris, where Wake is launching a career as a freelance journalist, covering early stories of the Nazi rise and learning to drink with the hardcore journos, her purse-pooch Picon in her lap. Though she claims the dog “will be the great love of [her] life,” she is about to meet the hunky Marseille-based industrialist Henri Fiocca, whose dashing courtship involves French 75 cocktails, unexpected appearances, and a drawn-out seduction. As always when going into battle, even the ones with guns and grenades, Nancy says “I wear my favorite armor…red lipstick.” Both strands offer plenty of fireworks and heroism as they converge to explain all. The author begs forgiveness in an informative afterword for all the drinking and swearing. Hey! No apologies necessary!

A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.

Pub Date: March 31, 2020

ISBN: 978-0-385-54468-9

Page Count: 464

Publisher: Doubleday

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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