A refreshingly unconventional blend of science and spirituality.
A psychotherapist articulates a more holistic approach to healing trauma and restoring well-being.
Church (Gestures of the Heart, 2004) argues that only a “unified self” truly experiences well-being and that “whole-person intelligence” is actually based in “a systemic model of heart-mind-body.” Trauma and anxiety are not merely plagues of the mind, but disorders that reside deeply in the body, and so an effective therapeutic response requires more than merely talk therapy—a brain addled with emotional turmoil needs to be physically rewired. The author furnishes a detailed account of what such a comprehensive response looks like, which recruits the aid of “Harmonize Now Tools,” strategies of visualization and somatic gestures designed to restore the brain’s harmony. She explains—with the helpful use of Porter’s (Bobbie the Wonder Dog, 2016, etc.) illustrations—the way in which various self-administered touches and movements as well as intentional visualizations can stimulate the parts of the nervous system and brain hobbled by trauma: “I am interested in the linkage between the brain stem, the limbic system, and cortical knowing. Or, in other words, listening to the body, feeling feelings, and being insightful, and the joy of bringing all three together.” Church’s approach is spiritually infused—there is no shortage of references to “The Divine” and the “Higher Self”—but also pragmatically empirical, insisting on discernible results as a guide to what works and what doesn’t. The book isn’t designed to be a replacement for therapy—in fact, it’s principally addressed to other therapists, though the writing is so lucid it should be accessible to a wide audience. Even Church’s lengthy and detailed discussions of neuroscience and physiology—both captivating and rigorous—are conducted in marvelously clear terms. But occasionally, the author waxes philosophic in a way that goes well beyond the scientifically demonstrable and is confusedly vague: for example, her understanding of the “luminosity” of the divine is more poetic than articulate.
A refreshingly unconventional blend of science and spirituality.Pub Date: July 20, 2018
ISBN: 978-1-62901-542-2
Page Count: 224
Publisher: Inkwater Press
Review Posted Online: Dec. 4, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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