As the sun dips below the horizon, some animals are just beginning to stir and wake to face the busy night ahead. “ ‘Wake up!’ hoots Owl. ‘T’wit, t’woo! Open your eyes! There’s lots to do.’ ” The bats and flying squirrels join the owls to swoop through the dark night. The field mice rise to a breakfast of berries while the baby raccoons plan a raid on nearby garbage cans. The night is filled with the sounds of the tree frogs’ song. “ ‘Croak! Croak!’ Tree Frog sings. ‘Let’s get busy doing things!’ ” As the children are snuggling into bed, these animals are just beginning their day. Overly dark drawings in what could be pastels or colored pencil overwhelm the story, making this an impossible choice for group reading. A very bright cover in pinks and greens gives no indication of the somber illustrations within. The night does not seem that exciting—just dark. (Picture book. 3-6)
Pub Date: Dec. 1, 2001
ISBN: 0-06-623976-1
Page Count: 24
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 15, 2001
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Today Carmelita visits her Abuela Rosa, but to get there she must walk. Down Ninth Avenue she strolls with her mother and dog. Colorful shops and congenial neighbors greet them along the way, and at each stop Carmelita says hello—in Spanish, Arabic, Hebrew and more. With a friendly “Jambo” for Joseph, a “Bonjour” at the bakery and an affectionate “Hey” for Max and Angel, the pig-tailed girl happily exercises her burgeoning multilingual skills. Her world is a vibrant community, where neighborliness, camaraderie and culture are celebrated. Isadora’s collaged artwork, reminiscent of Ezra Jack Keats, contains lovely edges and imperfections, which abet the feeling of an urban environment. Skillfully, she draws with her scissors, the cut-paper elements acting as her line work. Everything has a texture and surface, and with almost no solid colors, the city street is realized as a real, organic place. Readers will fall for the sociable Carmelita as they proudly learn a range of salutations, and the artist’s rich environment, packed with hidden details and charming animals, will delight readers with each return visit. Simply enchanting. (Picture book. 3-5)
Pub Date: April 1, 2010
ISBN: 978-0-399-25230-3
Page Count: 32
Publisher: Putnam
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: March 1, 2010
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.
Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?
One of those rare thrillers whose answers are even more scarifying than its mysteries.Pub Date: Nov. 10, 2020
ISBN: 978-1-64385-470-0
Page Count: 310
Publisher: Crooked Lane
Review Posted Online: Aug. 19, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: GENERAL MYSTERY & DETECTIVE | SUSPENSE | SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER | GENERAL THRILLER & SUSPENSE
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A pleasing poem that celebrates babies around the world. Whether from a remote village or an urban dwelling, a tent or the snow, Fox notes that each “of these babies, / as everyone knows, / had ten little fingers / and ten little toes.” Repeated in each stanza, the verse establishes an easy rhythm. Oxenbury’s charming illustrations depict infants from a variety of ethnicities wearing clothing that invokes a sense of place. Her pencil drawings, with clean watercolor washes laid in, are sweetly similar to those in her early board books (Clap Hands, 1987, etc.). Each stanza introduces a new pair of babies, and the illustrations cleverly incorporate the children from the previous stanzas onto one page, allowing readers to count not only fingers and toes but also babies. The last stanza switches its focus from two children to one “sweet little child,” and reveals the narrator as that baby’s mother. Little readers will take to the repetition and counting, while parents will be moved by the last spread: a sweet depiction of mother and baby. (Picture book. 3-5)
Pub Date: Oct. 1, 2008
ISBN: 978-0-15-206057-2
Page Count: 34
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2008
Categories: CHILDREN'S GENERAL CHILDREN'S
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