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FAST TIMES IN PALESTINE

A LOVE AFFAIR WITH A HOMELESS HOMELAND

Where paradox is as common as breathing, Olson discovers a kind of freedom amid the barbed wire. An empathetic, intriguing...

A moving memoir of a young woman’s political awakening under occupation.

Having lived an unusually sheltered life even by American standards, Olson was dangerously naïve when she first arrived in Jordan. Curious about what the situation was really like, beyond the confusing headlines, and attracted by the “chance to witness history as it was being made,” she nearly chartered a taxi to Baghdad before she was convinced to head to the West Bank instead. A fortuitous decision, this unplanned voyage led the author to connect with a diverse and generous group of individuals navigating the daily challenges of security patrols and checkpoints. Spending much of her time in Jayyous, a small farming community not entirely dissimilar to the Oklahoma town where she grew up, Olson lived in Palestine for more than two years, quickly adapting to and assimilating the shifting reality on both sides of the Green Line. In warmhearted, evocative prose, she recounts her numerous adventures, from the everyday (harvesting olives, attending weddings) to the more unusual (her work as an adviser to Mustafa Barghouthi as he ran for president of a nonexistent country). She never entirely lost her air of the ingénue, and her political analysis is sometimes debatable, but the strength of the narrative lies in Olson’s investigation of the personal and mental effects of oppression and war on herself and her newfound friends, “the atmosphere of mute shock expressed only in sidelong glances…of knowing something few people knew, and of genuine connection and collective struggle.”

Where paradox is as common as breathing, Olson discovers a kind of freedom amid the barbed wire. An empathetic, intriguing memoir.

Pub Date: March 12, 2013

ISBN: 978-1-58005-482-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Jan. 23, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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