by Pamela Newkirk ‧ RELEASE DATE: June 2, 2015
An inspired and moving work of intrepid scholarship.
A shocking tale of a young African taken from his home for the purposes of Western science throws into relief the turn-of-the-century's ill-conceived intentions and prejudice.
It is hard to fathom placing a young Central African man of “pygmy” descent in a cage at the Bronx Zoo with an orangutan as a companion to be mocked and stared at by thousands of visitors, unless it was part of some weird art or political installation. Indeed, Newkirk (Journalism/New York Univ.; Within the Veil: Black Journalists, White Media, 2000, etc.) notes in her work of careful scholarship how the director and chief curator of the New York Zoological Gardens, William Temple Hornaday, was delighted by his 1906 acquisition of the “pygmy,” who would undoubtedly attract hordes of viewers, with no idea how offensive the exhibit might be, especially to African-Americans. Newkirk has to fill in many blank spaces in this wrenching story of Ota Benga—his name would be spelled a dozen different ways over the course of his short life—who was eventually “rescued” by the director of an African-American orphanage in Brooklyn, with the aim of educating him to become a missionary to be sent back to Africa. Specifically, Benga never told his own story, so Newkirk has pursued the villain, Samuel Phillips Verner, a South Carolina–born racist who became a minister and went to Africa, only to ingratiate himself with the officials of King Leopold’s Belgium Congo in plundering African artifacts (sold to the Smithsonian and other American institutions) and preying on native tribes. The “diminutive forest people” would be his particular prize, first conveyed for exhibit at the 1904 World’s Fair in St. Louis. Benga was the victim of the era's flourishing eugenics, and the author notes that he likely suffered from PTSD.
An inspired and moving work of intrepid scholarship.Pub Date: June 2, 2015
ISBN: 978-0-06-220100-3
Page Count: 304
Publisher: Amistad/HarperCollins
Review Posted Online: March 10, 2015
Kirkus Reviews Issue: April 1, 2015
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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