A mixed-bag cultural assessment of the internet landscape.
The editor of the New York Times Book Review offers dismayed lamentations on all that is being lost to the internet.
In her latest, Paul analyzes the implications of the internet age, deploying “my grumpy-old-man thoughts and wary skepticism, lashed through with a contrary streak of optimism, accumulated over years of observing the culture and covering its manifestations and effects.” She acknowledges the putative treasures and tools of the internet, but she reminds readers that for every gain, there is a loss—e.g., privacy, civility, or myriad products, services, and practices we may have thought to be timeless. To many, writes the author, we can say good riddance or a fond farewell, though she aches for the loss of others. From handwritten letters to quiet, unoccupied moments, cursive writing to vacations without work (or email), school librarians to newspapers, LPs to mixtapes to the notion of “closure”—so much we thought eternal is quaintly antiquarian or gone forever. As Paul engagingly shows, their replacements aren’t always an advance. Yet one thing Paul neglects to address, save by implication, is the power of “no.” We are not forced in every case to accede to fashion, to all of modern technology’s demands, or to the dictates of contemporary sensibilities. Paul is incisive when she gets serious, as in her regrets on the decline of reading (especially of books), diminishing opportunities for solitude, and our eroding capacity for empathy. But some of her death knells are premature, a stretch, too sweeping, or off-base, while others come off as overly tongue-in-cheek. It’s understandable that Paul writes as if Gen X reality (and that of their children) is a dominant force. Still, there are plenty of people pushing back against the tide in meaningful ways. The author should know there are also 100 ways to resist digital dominance as well.
A mixed-bag cultural assessment of the internet landscape.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-13677-5
Page Count: 288
Publisher: Crown
Review Posted Online: Aug. 24, 2021
Kirkus Reviews Issue: Sept. 15, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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