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IT SIMPLY CAN'T BE BEDTIME

An amusing addition to the bedtime story stack.

A girl’s stuffed pig helps her postpone bedtime.

Daddy says it’s time to go to sleep, but his daughter insists that she isn’t ready. Her stuffed animal, Lady Pigsworth, takes the lead, suggesting creative tactics to delay the inevitable. With guidance from Lady Pigsworth, Daddy helps the girl exchange her fairy costume for pajamas, brush her teeth, clean her room, and read a story. But as the girl gets increasingly sleepy, she loses her enthusiasm for Lady Pigsworth’s escalating antics, which include requests for tea with scones, a lullaby (with the porcine plushie accompanying Daddy with her clarinet), and silk sheets strewn with flowers. Finally, the girl notices that Lady Pigsworth has worn herself out and tucks her stuffed animal into bed. Both drift off to sleep—but not before scheming to do it all again tomorrow. The basic plot is familiar enough, but it’s told with humor and sweetness, accompanied by Salerno’s retro-style illustrations, dominated by soothing nighttime hues of lavender and yellow. The text is entirely made up of dialogue, mostly between the father and Lady Pigsworth. The pig’s formal, British-inspired speech (“Tickety-boo, old chap”) makes for a fun read-aloud. The father and daughter model a strong, loving relationship as he joins her play wholeheartedly, giving her agency while also steadily guiding her toward bed. The human characters have light skin and dark hair.

An amusing addition to the bedtime story stack. (Picture book. 4-8)

Pub Date: May 20, 2025

ISBN: 9780593532164

Page Count: 32

Publisher: Putnam

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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