The combination of first-person narratives provides an unusually well-rounded portrait of schizophrenia. Includes an...
Joint memoir by a pair of identical twins, one a writer and award-winning poet with an incurable mental disease and the other a practicing psychiatrist.
When the Spiro girls were young, Pamela was considered the more creative, brilliant one, but by 1963, when they were in sixth grade, the first inklings of her future disorder appeared: on hearing of President Kennedy’s assassination, she believed that she was to blame. With gripping detail, she describes her descent into mental chaos, revealing the frightening nature of schizophrenia and her confusion and helplessness when under its spell. By early adolescence she becomes withdrawn, and by the time she is a freshman at Brown she is tortured by chaotic thoughts, is hearing voices and fears that people are planning to harm her. After overdosing on Sominex, she is taken by Carolyn to the college infirmary, the first of the countless stays in hospitals and sessions with psychiatrists that will mark the rest of her life. The sisters’ relationship is an ambiguous one: after that first semester at Brown, they talk on the phone for hours every week, but they never go home to visit their parents at the same time. Pamela’s illness permits Carolyn to shine but it does not end their sibling rivalry. Both enter medical school after college, but while Carolyn is studying at Harvard Medical School, Pam is at the University of Connecticut, the only school that would admit her. Within a year, she’s back in a mental hospital, catatonic and hearing commanding voices. The sisters alternate in the telling, but this is clearly Pamela’s book, for without her schizophrenia, there would be no story. It is she that is the powerful storyteller at its center, she that alters the Spiro family dynamic, she that suffers and makes demands, embarrasses and frustrates. With the rest of her family uncomfortable around Pamela, Carolyn struggles to be her sister, not her psychiatrist, yet being a psychiatrist makes all the difference in the caretaker relationship that develops over time.
The combination of first-person narratives provides an unusually well-rounded portrait of schizophrenia. Includes an eight-page black and-white photo insert (not seen).Pub Date: Aug. 1, 2005
ISBN: 0-312-32064-7
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 2005
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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