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BILLY

A loving case study, meticulously researched, best on the early years before the accolades began to accumulate.

Clinical psychologist and former comedian Stephenson balances wifely affection with professional analysis in her biography of Billy Connolly, who survived abandonment as well as physical and sexual abuse to become a noted musician, comedian, and actor.

The narrative alternates between the couple’s current life in Los Angeles and Billy’s early years in Glasgow, where he was born in 1942 as his father was about to leave for the battlefields of Burma. The Connollys were Catholics who had left Ireland to make a better life in Scotland, but they still could only afford a squalid tenement apartment with two rooms and a communal washroom. When Billy was three and older sister Florence not yet five, their mother walked out, leaving the kids alone in a cold apartment without food. His father’s two unmarried sisters eventually took them in, but one of the aunts regularly beat and belittled Billy. Things only got worse when his father came back from the war and began sexually abusing the boy. School was no better; teachers were free with physical punishment and verbal abuse. In his teens, Billy began playing the banjo and singing and eventually left his job as a welder at the Clyde shipyards. He overcame a horrendous childhood to become famous, first in Scotland as a musician and comic, then in London, and now in the US. As Stephenson notes, “Billy’s real story is an utterly triumphant one.” Known for his outrageous wit and costumes, he initially had difficulty coping with fame. His first marriage failed, he took drugs and drank heavily. Stephenson, who met him while she was acting on British TV, details all the low moments as well as the highs: his doctorate from Glasgow University in 2001, his acclaimed role in the movie Mrs. Brown, and his friendships with stars like Judi Dench, Michael Caine, and Dustin Hoffman.

A loving case study, meticulously researched, best on the early years before the accolades began to accumulate.

Pub Date: Oct. 17, 2002

ISBN: 1-58567-308-0

Page Count: 304

Publisher: Overlook

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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