A loving case study, meticulously researched, best on the early years before the accolades began to accumulate.
Clinical psychologist and former comedian Stephenson balances wifely affection with professional analysis in her biography of Billy Connolly, who survived abandonment as well as physical and sexual abuse to become a noted musician, comedian, and actor.
The narrative alternates between the couple’s current life in Los Angeles and Billy’s early years in Glasgow, where he was born in 1942 as his father was about to leave for the battlefields of Burma. The Connollys were Catholics who had left Ireland to make a better life in Scotland, but they still could only afford a squalid tenement apartment with two rooms and a communal washroom. When Billy was three and older sister Florence not yet five, their mother walked out, leaving the kids alone in a cold apartment without food. His father’s two unmarried sisters eventually took them in, but one of the aunts regularly beat and belittled Billy. Things only got worse when his father came back from the war and began sexually abusing the boy. School was no better; teachers were free with physical punishment and verbal abuse. In his teens, Billy began playing the banjo and singing and eventually left his job as a welder at the Clyde shipyards. He overcame a horrendous childhood to become famous, first in Scotland as a musician and comic, then in London, and now in the US. As Stephenson notes, “Billy’s real story is an utterly triumphant one.” Known for his outrageous wit and costumes, he initially had difficulty coping with fame. His first marriage failed, he took drugs and drank heavily. Stephenson, who met him while she was acting on British TV, details all the low moments as well as the highs: his doctorate from Glasgow University in 2001, his acclaimed role in the movie Mrs. Brown, and his friendships with stars like Judi Dench, Michael Caine, and Dustin Hoffman.
A loving case study, meticulously researched, best on the early years before the accolades began to accumulate.Pub Date: Oct. 17, 2002
ISBN: 1-58567-308-0
Page Count: 304
Publisher: Overlook
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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