More fan fodder, enlivened by Billy’s witty observations.
Further incisive revelations distinguish actress-turned-psychologist Stephenson’s follow-up to her perceptive biography of husband Connolly (Billy, 2002), a noted Scottish comedian and actor.
Though this sequel loosely follows the year Billy turns 60, it’s as much about Stephenson herself. Each chapter begins with a recollection of his past—searching trashcans for sledding materials, sneaking his Protestant friends into a Catholic teenagers’ dance, becoming a paratrooper while on National Service—and then segues into his birthday year. The family alternates between Scotland and Los Angeles, with much traveling in between. Billy is on location in Canada and Somalia; Pamela takes their two teenaged daughters to India, where they visit the shelters established by the Connollys for streetwalkers’ children. Billy is ambivalent about his birthday, still subject to frequent nightmares in which he relives his troubled childhood: his mother left home, he was reared in a Glasgow slum by sadistic aunts, his father abused him. But Pamela continues her preparations for the August celebration, a weekend-long extravaganza at their estate in Scotland that includes the reenactment of a medieval battle, kilted pipe-bands, the honoring of the haggis, and a guest list studded with luminaries (Judi Dench, Bob Geldof), as well as Billy’s mates from his pre-fame days, when he worked as a welder. Billy survives, admitting that he normally doesn’t like birthday parties but absolutely loved his own. This naturally pleases Pamela, who is acutely aware of the demons in her man’s past, even though he stopped drinking and taking drugs in his 40s. She follows up the weekend blast with a (slightly) lower-key celebration on the actual day later in the year in Fiji, where she’s studying a group of transgendered Fijians. Evident throughout the witty text is her crucial role as a loving but concerned monitor of her husband’s life.
More fan fodder, enlivened by Billy’s witty observations.Pub Date: Feb. 1, 2005
ISBN: 0-7553-1284-8
Page Count: 334
Publisher: Headline
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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