It's a mystery how Stanley Hastings gets the chance to chase those ambulances: he's constantly spending his time talking himself out of murder raps. Here, Stanley starts off by compounding a felony in taking Marlena Smith's $500 for paying off a blackmailer who's peddling pornographic photos she doesn't even bother to look at (maybe because she wasn't one of the subjects?), then repeats the offense, this time for $1,000, when she asks him to get the negatives. At the rendezvous, Stanley finds a dead body—but instead of being Barry the blackmailer, it's Marlena. (Barry, who turns out to be sporadically employed actor Cliff McFadgen, isn't killed until an hour or so later- -and, yes, Stanley stumbles on his body too.) After Stanley spends a night in the drunk tank when he can't reach his boss, negligence lawyer Richard Rosenberg; withholds evidence about the people in the photos from the police; and insists on running his own, utterly hopeless investigation instead—is it any wonder his nemesis, Sgt. Thurman, battens on Stanley? Stanley's sad-sack adventures (Actor, 1993, etc.) usually start with a terrific idea and then gradually peter out. Not this time. Every page quivers with comic frustration, and the result is an absolute joy.
Pub Date: March 1, 1994
ISBN: 0-89296-521-5
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
For once Deaver takes more effort to establish his hero’s bona fides than to give him a compelling and logical plot. The...
Veteran thrillmeister Deaver kicks off a new series about a man who collects rewards for a living.
Don’t call Colter Shaw a private eye, or a freelance investigator, or even a soldier of fortune, though his job includes elements of all three. The son of a cranky survivalist who died years ago amid suspicious circumstances, light-footed Shaw has returned close to his childhood home in the Bay Area in the hope of claiming the $10,000 Frank Mulliner is offering for the return of his daughter, Sophie, a college student who stormed out after the two of them fought over the FOR SALE sign outside his house and hasn’t been seen since. Shaw, who has the cool-headed but irritating habit of calculating the numerical odds on every possibility, thinks there’s a 60 percent chance that Sophie’s dead, “murdered by a serial killer, rapist or a gang wannabe.” Even though he accepts rewards only for rescues, not recoveries, he begins sorting through the scant evidence, quickly gets a hot lead about Sophie’s fate, and just as quickly realizes that Detective Dan Wiley, of the Joint Major Crimes Task Force, should have followed exactly the same clues days ago. (The rapidly shifting relations between Shaw and the law, in fact, are a particular high point here.) The day after Shaw’s search for Sophie comes to a violent end, he’s already, in the time-honored manner of Deaver’s bulldog heroes (The Burial Hour, 2017, etc.), on the trail of a second abduction, that of LGBT activist Henry Thompson. Readers who haven’t skipped the prologue will know that still a third kidnap victim, very pregnant Elizabeth Chabelle, will need to be rescued the following day. Thompson’s grief-stricken partner, Brian Byrd, tells Shaw, “It’s like this guy’s playing some goddamn sick game”—a remark Deaver’s fans will know to give just as much weight as Shaw himself does.
For once Deaver takes more effort to establish his hero’s bona fides than to give him a compelling and logical plot. The results are subpar for this initial installment but more encouraging for the promised series.Pub Date: May 14, 2019
ISBN: 978-0-525-53594-2
Page Count: 416
Publisher: Putnam
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK TO SCREEN
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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