HARVEY MOON, MUSEUM BOY

Cummings brings Harvey Moon back after far too long an absence. This time, he’s going to the museum with his class (and his pet lizard, Zippy, in his backpack). Unfortunately, early in the day, Zippy is startled by the excited noise made by Harvey’s classmates at the museum. After many near-captures, and several funny pages of the chaos Zippy causes, Harvey catches him and decides to lay low for a while. Before he knows it, the museum is closed. Suddenly, the artwork comes to life with charging knights, walking mummies and flying pterodactyls. After another chase through the museum, Harvey and Zippy make it out okay. In an abrupt transition, there are reporters, his parents and schoolmates waiting outside, all happy to find the missing Harvey. The final page offers a humorous ending that’s likely to be found amusing only by adults. The illustrations are the strength here: Cummings uses lots of color and humor while cleverly showing the relationships between the museum contents and Harvey’s tale. (Picture book. 3-6)

Pub Date: Jan. 1, 2008

ISBN: 978-0-688-17889-5

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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THE POUT-POUT FISH

The pout-pout fish, painted a suitable blue, is so named for his perpetual gloom: “I’m a pout-pout fish / With a pout-pout face, / So I spread the dreary-wearies / All over the place.” When a jellyfish complains about his “daily scaly scowl,” the glum fish agrees, but says his mood isn’t up to him. A squid, dubbing the fish “a kaleidoscope of mope,” receives the same defeatist answer, as do other sea creatures. Up to this point, the story is refreshing in that readers will no doubt recognize the pout-pout fish in their own lives, and in many cases, there’s just no cheering these people up. But the plot takes a rather unpalatable turn when a shimmery girl fish kisses the gloomster right on his pouty mouth. With that kiss, he transforms into the “kiss-kiss fish” and swims around “spreading cheery-cheeries all over the place,” meaning that he starts to smooch every creature in sight. (Don’t try this at school, kids, you’ll get suspended!) Still, there’s plenty of charm here, both in the playful language (“hulky-bulky sulking!”) and in the winning artwork—Hanna’s cartoonish undersea world swims with hilarious bug-eyed creatures that ooze personality. (Picture book. 3-6)

Pub Date: March 21, 2008

ISBN: 978-0-374-36096-2

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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