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WHERE IS MOMMY?

From the I Like To Read series

This hardworking early reader is definitely worth checking out.

Waking from a nap, a child is shocked to find that Mommy, who had been cuddled with the child on the couch, is missing and sets off with orange tabby Max to try and find her.

The child picks up clues such as Mommy’s slippers, reading glasses, and scarf during the search. While Max finds Mommy right away, it takes the puzzled child a little longer. Readers will likely find Mommy as quickly as Max does, making them feel like they are in on a secret. A part of the appeal of this early reader geared toward rising first graders is that children are likely to relate to that sense of panic and concern the child experiences upon noticing that Mommy is gone—and the sense of relief when Mommy is finally found. The illustrations are crisp, page-filling, and colorful, and both the protagonist and Max have expressive faces. The use of white space makes the large, sans-serif type easy to follow and read. The text is patterned, aiding decoding: “Here are her slippers. / Here are her glasses.” Additionally, there are many different visual patterns incorporated into the illustrations, like stripes, polka dots, and checks, which readers can identify after the story to help reinforce early math skills. The same can be said for the many animals, colors, and shapes throughout the book as well. Mommy and child both present black.

This hardworking early reader is definitely worth checking out. (Early reader. 5-7)

Pub Date: Nov. 12, 2019

ISBN: 978-0-8234-3935-5

Page Count: 32

Publisher: Holiday House

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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ROBOBABY

A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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ANZU THE GREAT KAIJU

From the Anzu the Great Kaiju series , Vol. 1

A tongue-in-cheek bildungsroman about celebrating differences and the underrated superpowers of gentleness and sweetness.

Kaijus—giant Godzilla-like creatures—are supposed to have fearsome powers like atomic breath, the ability to summon storms, and magnetism—but not young Anzu.

Instead, he was born with the power of finding “beauty in small things.” Finally old enough to be assigned his own personal city to terrorize, Anzu hopes to impress his fond parents. But instead of inflicting fiery destruction on the tiny kodamalike residents at his feet, the best he can do is rain garlands of flowers down on them. He tries to wreak havoc by uprooting a tree but instead ends up creating a peaceful playground of blossoming animal topiaries. “I’ll never strike fear,” Anzu frets. “Am I even a kaiju?” Young readers may well share his doubts since, despite towering over the city of lumpy buildings made from low mounds of dirt, he and his family look more like cute, plump stuffies than scary reptilian beasts. When Anzu does at last manage a little devastation, his feeling of triumph is short-lived—and so, to restore joy and laughter, he exerts his special flower powers with surprising, and satisfying, results. The text is engaging and heartwarming without being cloying. The bright, colorful illustrations are rendered in watercolor and ink. Full-bleed artwork is interspersed with panels, which, along with the use of narrative boxes, lend a graphic feel to the presentation.

A tongue-in-cheek bildungsroman about celebrating differences and the underrated superpowers of gentleness and sweetness. (Graphic picture book. 5-7)

Pub Date: Jan. 11, 2022

ISBN: 978-1-250-77612-9

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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