by Pat Montandon ‧ RELEASE DATE: Sept. 25, 2014
A memoir that’s a wild, wrenching ride but one worth taking.
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An account of a wide-ranging life that embodies the phrase, “You can’t make this stuff up.”
Montandon (Oh the Hell of It All, 2009, etc.) has written a memoir that almost becomes a full autobiography, although it compresses her last few decades into a couple of chapters. She grew up in the 1930s in a large, dirt-poor Dust Bowl–era Oklahoma family. Her father was a preacher, and the family had to move often—sometimes because her father believed, to his credit, that black people should be welcome among his white congregation. Nonetheless, the members of her family were Old Testament fundamentalists; the focus was on hell, not heaven, and any wrong step, anything construed as loose, secular living, could send you there. She eventually grew into a statuesque stunner, which exacerbated her widowed mother’s worries. At 18, the naïve young woman married a fellow from the Air Force who turned out to be a real jerk, but guilt-ridden as always, she tried to be a good wife as they spent two years in the Azores. Finally, a very kind lover aided her in finding herself, and she also found that she’d had enough of her marriage. Stateside, she divorced Groves and wound up in San Francisco, where she blossomed, becoming a television personality, newspaper columnist, socialite and Nobel Prize–nominated peace activist. The memoir’s byword is “indomitable”; by the age of 30, despite her past trials, the author wasn’t afraid of anything and had roaring energy. (The book’s initially silly-sounding title refers to a traumatic accident that colored her whole life.) Montandon often writes well, although her style is sometimes over-the-top and her diction, sometimes purple (“My tears fell in an unbridled waterfall, pooling at my feet, flowing across the highway, creating a flood of such profound intensity that I turned on the windshield wipers”). Still, readers learn a lot about what she had to face and how she survived. She writes of how, even in later years, some of her siblings were still captives of hateful beliefs; it’s all the more striking that the author, with her native intelligence and sensibility, managed to escape such an upbringing while still loving her family.
A memoir that’s a wild, wrenching ride but one worth taking.Pub Date: Sept. 25, 2014
ISBN: 978-1633156456
Page Count: 344
Publisher: CreateSpace
Review Posted Online: Jan. 10, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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